Page 179 - The Art of Learning by Josh Waitzkin_Neat plip book
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away,  on  the  far  side  of  the  arena,  bal letic  Tai  Chi   form  compet ition  was  taki ng
                place. B lood and meditation were coexisting.

                    My first match would be Moving Step.  The  rul es,  simpl y put ,  are as follows:
                Play   begins   from   contact—this    is   a   grappl ing   compet ition   like   wrestling   or
                judo,   so   striking   is   supposedly   not   enco ur aged.   The   target   area   is   from   the
                waist   to   just   below   the   neck.   You   canno t   lock   your    han ds    beh ind   someone ’s

                back  or  grab  their  clothes,  otherwise  play  is  wide  open .  You  gai n  one   po int   for
                throwing    the   guy   out   of   the   ring,   two   point s   for   a   clean   thr ow   whe re   the
                opponent  hits  the  floor  and  you  are  standi ng.  One  po int   for  a  thr ow  whe re  you
                go   down   on   top   of   the   opponent .   Matches   are   thr ee   rounds ,   two   minut es

                playing  time  each.  If  someone  leads  by  four   point s  in  a  round,   it  is  over.  Two
                out  of  three  rounds  wins  and  if  rounds   and  po int s  are  even  by   the  end  of  thr ee
                rounds,   the   lighter   guy   wins.   That    rarely   hap pen s,   but    if   the   Buf falo   and   I
                stayed  healthy  and  managed  to  make  it  int o  the  last  round,  it  coul d  gi ve  me  a

                tiny edge.
                    My  first  Moving  Step  opponent  was  strong,  fast,  and  aggr essive.  His  spe ed
                surprised   me—a     very   good   athlete.   All   the   players   from   the   top   Taiwane se
                schools  have  a  way  of  putting  the  cardi o  load  on   the   oppo nen t  and   dr aini ng

                him    with   subtle   pressure   and   leverage.   They    hav e   excellent   pumme ling
                techniques,    which   means   they   kno w   ho w   to   take   inside   position   with   the ir
                forward  arm  in  the  clinch.   Imagine  an  oppo nen t’s  left  foot  forward,   left  arm
                deep  under  my  armpit  and  wrapped  around  my  back  or  up  my  sho ul der.  That

                is   an   underhook.   Pummeling     is   the   fight    for   that    po sition.   The    ins ide    arm
                tends to give more leverage and slight ly better angl es for thr ows. If a pl ayer ha s
                “double inside position” it means that  he  has under ho oks  on  bo th  side s.  Thi s is
                considered    to   be   very   advantageous    in   all   grappl ing   arts.   If   you   ever   he ar

                martial   artists   talking   about   a   “pum meling   war”   they    don’t   mean   tha t   two
                people are clobbering one another, but  that  they  are       ght ing f or unde rho oks .
                    It turns out that pummeling would  be a huge  compo nen t of my tour na ment
                strategy.  You may recall that I hurt my right  sho ul der  fight ing  Che n  Ze-Che ng

                in  the  semifinals  of  the  2002  World  Cham pi ons hi ps .  Since   then ,  the   sho ul de r
                has   been   my   Achilles   heel.   Abo ut    thr ee   mont hs    before   thi s   year’s   Taiwan
                tournament,     the   2004   Worlds,    Dan   came    upo n   an   interesting   metho d   in
                training.   Whenever     I   had   the   right    side   under ho ok   in   the   clinch,   he    woul d

                clamp  down  on  my  elbow  from  the       out side   in  a  manner   that   jus t  ki lled   my
                shoulder.   After  weeks  of  pain,   I  deci ded   to  concede   the   pum meling   war  and
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