Page 263 - Constructing Craft
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‘Maori International Holdings’ was formed and although it struggled financially

               initially, it did undertake marketing exercises and may have encouraged the
               Department of Māori Affairs to take an exhibition of Māori craft to Hawaii in 1984. It

               was the beginning of the attempts to bring Māori craft to the world and a means of
               rewarding Māori craftspeople financially.


               Throughout the 1980s the commercialisation of Māori craft increased as tourist

               numbers grew and New Zealanders attempted to format a ‘national identity’ that

               included aspects of Māori culture. Māori craft, or at least representations of Māori
               craft, became widely available in craft shops across New Zealand with both Māori

               and Pākehā openly displaying craft such as carved pendants, earrings and other

               forms of adornment. The increasing interest in Māori craft took place during a period
               in New Zealand’s economic history that one writer called the ‘third era’ – the 1980s

               and 1990s – when ‘the new political economy opened a plethora of opportunities for
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               Maori skills and entrepreneurship.’  Geoffrey Bertram was discussing the wider
               economy but he could well have been talking about the movement of Māori craft
               from a largely rural and isolated environment into the mainstream New Zealand

               craft world.


               The commercialisation of ethnic craft is often presented as a wholly negative

               development, but the effects could be both negative and positive. These factors
               include whether a culture was vital or declining and whether the commercialisation

               was driven by internal initiatives or sponsored from the outside. This produced four
               different types of commercialisation.



                  Culture                   Source of Initiative


                                            Spontaneous                 Sponsored

                  Vital                     Complementary               Encroaching

                                            commercialisation           commercialisation


                  Declining                 Substitutive                Rehabilitative
                                            commercialisation           commercialisation


                 Table: Four types of commercialisation and their characteristic dynamics. Source: Erik
                 Cohen, 'The Commercialization of Ethnic Crafts', Journal of Design History.

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