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Phil MUSICIANS






                                Couples who Play Together:




       Meet Laura Pardee Schaefer and Ira Schaefer







                                                               How do you approach preparations for
                                                               a performance?


                                                               Laura: It all depends. Am I preparing for orchestra or
                                                               chamber music? A well-known work, or contemporary
                                                               piece? Difficult solos, or simple and straightforward?
                                                               Regardless, I always start with a reed inventory.

                                                               Laura: What is a reed inventory? I see what I have in
                                                               my reed box that will work for what I’m playing. Then
        In the October issue of Connections, Ira and Laura     I make a bunch of reeds so I have a variety of options
        detailed what life has been like for their family since   for what the weather, venue, piece, and part demand.
        last spring. Now they share what it’s like to be a     I find a recording and follow along with the music
        married couple performing in the same orchestra.       while listening so I know about any unmarked solos
        Laura plays principal oboe; Ira plays double bass.     or tricky parts. If it’s a world premiere and there are

                                                               no recordings and I have a big solo, well, honestly,
        What music did you select for your duet?               that’s just incredibly cool. I spend a lot of time on

                                                               something like that to really dig into each note and
        Laura: We are playing a couple of baroque dances
        by Handel, and then for a complete mood change, a      marking to find an interpretation of the composer’s
        short little jazz standard, All of Me.                 intention while still putting my life and breath and
                                                               soul into voicing those intentions. That’s where I
        Ira: Believe it or not, we chose these pieces          feel like the box of expectations that I’m supposed
        because there’s not a lot written for the instrument   to fit an orchestra solo into gets huge and I need to
        combination of oboe and bass.                          fill that space with my interpretation and creativity.
        Laura: And, it’s kind of crazy that after 14 ½ years of  If it’s a well-known solo, I need to work hard to make
        marriage, plus some dating years before that, this  sure to fit my interpretation inside a smaller box that
        is the FIRST time we’ve ever played duets together.  matches conventional wisdom and the audience’s
        Two professional musicians, playing in the same  expectations of what they’re going to hear.
        orchestras for over 20 years, married for most of that
        time, and we never played duets until now! (Asking     Ira: Is Steven going to read this? I look at the tricky
        Ira) Do you think if there was anything written for    parts and practice them.
        oboe and bass we would’ve played duets before          Laura: That’s right; he’s more naturally gifted than I
        this?                                                  am. (laughs)

        Ira: (shrugs)

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