Page 50 - 고산 최은철의 철학예술
P. 50

<Collection of Short Comments on the Exhibition>



           - Kwon Chang-ryoon, Member of Korea Art   - Yimjae Kim Sung-ho, Chairman, Painters’   ‘Chaos → Cosmos → Chaosmos’ where you
           Conservatory and Chairman of the Board, Head   Group ‘Along with Railroad’  depart from the Zhuāngzǐ style life crossing
           of Korea, International Calligraphy Union                                  the universe and return back to the reason
                                                10. Kim Sun-hee                       that everything comes back to their original
           7. Kim Baek-hyeon                    I sincerely congratulate the exhibition of   position. Behind chaos, in fact, there is also
           I feel like seeing Gosan’s dream.    YungHwa Painting ‘From a Chaos to another   such powerful passion that you are willing to
           I will talk about such dream bringing Zhuāng-zǐ.  Chaos’ expressing a new art world of Doctor   come back to your original self, which is a kind
           I feel Gosan tries to revive the dead chaos.  Gosan through the convergent work of knife,   of sincere mind. “Breakup of such vague chaos
           I feel Gosan tries to experience PoJeongHaeWu   brush, line and color. I highly expect the success   becomes ‘one stroke of brush’”, Shítāo said.
           (庖丁解牛, a fully skillful butcher-like   of this exhibition showing the sincerity of    The artist, doctor Gosan, always wants to
           technique) himself.                  Doctor Gosan on calligraphy with excitement   enjoy the spiritual freedom not being prisoned
           I feel Gosan tries to meet God to stop learning   on iron brush.           as Zhuāngzǐ did. He is passionate to overcome
           from senses and feel God.            - Kim Sun-hee, Head of Academic Research   mountains by constructing roads and to cross
           I feel Gosan tries to go beyond technique and   Department, World Calligraphy Biennale of   water by building bridges.
           show the land of truth.              Jeollabuk-do                          This exhibition comes to me both as the co-
           I feel Gosan tries to trust him to oracle                                  existence of plural expression by calligraphy,
           and enjoy the breach of the world through   11. Kim Young-bae              engraving and painting, and as his will of
           MuWiBokPark (無為復朴, trying to be mild   This work created by Gosan fascinated with   walking alone toward the everlasting art.
           through trying to be just natural as nature is).  Taoism shows characters in painting while   Professor, Sungkyunkwan University (Doctor
           I feel Gosan still dreams of such dreams even   showing paintings in characters. The innocent   of Philosophy and East Asian Aesthetics)
           today.                               and simple look of playing in nature in the
           - Kim Baek-hyeon, honorary professor,   beginning is spouting out as fragrance.   14. Kim Jae-yil
           department of philosophy, Gangneung-Wonju   - Cheongwoon Kim Young-bae     There was a man who had tried to get rid of
           National University                                                        such an old thought and rural smell inheriting
                                                12. Kim Young-sam                     from his father. Now, however,
           8. Kim Bong-joo                      Gosan!                                It is difficult for him to get rid of such bad air
           I am cheering for such a passionate work of   I like him who is            from big factories and such noisy sound from
           yours. I think that this exhibition of YungHwa   Always doing his effort for something  cars. Now, therefore,
           painting is a fresh and new trial that puts   Always looking for something natural.  He is missing such an old thought and rural
           together all features of calligraphy, inscribing   Carving and calligraphy are harmonized on   smell sometimes together with one glass of
           and painting, which nobody has ever thought   colors, so that              wine. Now, however,
           of. It is the result of your own unique way of   I feel like seeing not printed ones but directly   He can’t leave this city.
           creation that has been born through a long time   Petroglyphs or a wall painting in a cave.  - Dansan Kim Jae-yil, Instructor, Oriental
           repeat agony. It gives me such feeling that I am   From their color tones  Calligraphic Rule Research and Learning
           freely enjoying and playing in the art world as   Stories of the world come to me   Institute
           it is. I am looking forward to more works from   Affectionately
           you in the future too.               - Woosongheon Kim Young-sam, Deputy   15. Kim Jeom-rye
           - Kim Bong-joo, the 39th President of Student   Chairman, Korean Fine Arts Association  When and where would your agony of creation
           Body, Graduate School of Confucianism,                                     stop?
           Sungkyunkwan University              13. Kim Eung-hak                      Your work is dissolving the load accumulated
                                                This exhibition sends us the message of the   in our mind
           9. Kim Sung-ho                       metaphysical chaos implying the humanistic   Your work is releasing the agony of life through
           Gosan has come to destroy rules.     spirit and the emotion of visualized calligraphy.  aesthetic movement
           He is now delivering his free spirit.  <From a Chaos to Another Chaos>, the key   And
           I wish him to be just himself until he can deliver   words of this exhibition, seems to show the   I am awake by your work shaking my mind
           all his messages to the universe...  journey of ‘birth → maturity → birth’ or   I wish You would be getting healthier with us



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