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culture                                                  culture




 protagonist Razumov (a name derived from   but passive and unintentional.  Häusermann
                                        3
 the Slavic word for “reason”) is an industrious   maintains  that  for  Conrad  Geneva  is  a
 and ambitious student in Sankt Peterburg – a   harsher place than Siberia or the east coast of
 self-made man aspiring a good public service.   Borneo. Through the eyes of his protagonist
 Yet, misled by Razumov’s industriousness and   Razumov,  Conrad  describes  the  city  as
 frank talk, a fellow student with revolutionary   “indifferent and hospitable in its cold, almost
 views,  who  has  just  killed  a  brutal  head  of   scornful  toleration  –  a  respectable  town  of
 police (story based on historical facts), runs   refuge to which all these sorrows and hopes
 to him for help to escape. Instead, after a night   [of the exiles] were nothing”. For Razumov
 of torment, Razumov reports on his colleague   Geneva  is  “the  respectable  and  passionless
 to the police, which arrests the idealistic youth   abode  of  democratic  liberty,  the  serious-
 and  executes  him.  Next,  the  Tsarist  police   minded town of dreary hotels, tendering the
 recruits Razumov and sends him to Geneva to   same indifferent hospitality to tourists of all
 spy on the revolutionary emigree community,   nations and to international conspirators of
 which  formed  there  at  the  beginning  of  the   every shade”.  Conrad contrasts the tranquil,
 The house on   who lived in an overcrowded boarding-house   twentieth century. In the book, that community   orderly, and content city - a “town, comely   delay. He had nervous breakdowns and wrote  The plate on the
 avenue de la   room with fresh mind and dignity.  includes the mother and sister of the executed   without  grace,  and  hospitable  without   several short stories in between. When reading  wall of the house
 Roseraie 25,   youth.  Razumov’s  horrendous  dilemmas  are   sympathy”  -  with  his  flamboyant  Slavic   it, one can feel that it was not an easy piece.  on avenue de
 where Joseph   Conrad came to Geneva for treatment at the   exacerbated  by  his  falling  in  love  with  the   characters. Those characters are devoured by   The  torments  of  the  characters  somehow  la Roseraie 25,
 Conrad stayed in   Champel  hydro-therapeutic  baths  on  four   sister of the boy he has betrayed. When the   passions, still cherishing the broad harmony   transpire from the text. The novel was finally  commemorating
 1891, 1894, 1895   occasions:  in  1891,  1894,  1895,  and  1907.   psychological pressure makes him confess his   of spirit and belief in the brotherliness of all   published  in  1911.  At  the  time,  the  Russian  Joseph Conrad.
 and 1907. Photo   Every time he stayed at the hôtel-pension La   traitorous act, the emigree community sends   human beings, which we see in their hopes   revolution  of  1905  was  already  history  and  The inscription
 by the author.  Roseraie, which still stands today at Avenue   its hitman (also a historical figure) to torture   and sorrows.   called for one reading of the novel. Six years  in Latin reads,
 de la Roseraie 25. He had already finished a   and maim Razumov.  Conrad  starts  his  novel  Almayer’s  Folly:  A   later,  the  Bolsheviks’  October  Revolution  “Geneva hid up”.
 sailing career and become a recognized writer,   Story of an Eastern River with an exclamation   called for a different reading. Today, after the  Photo by the
 but his health was ailing, affected by the stress   Critics  see  in  this  novel  signs  of  Conrad’s   by Henri-Frédéric Amiel – the Genevan poet   end of the Cold War and the Soviet Union,  author.
 he  had  endured,  nervous  breakdowns,  and   disdain for revolutionary activities. As in other   and moral philosopher - qui de nous n’a eu sa   after  the  Snowden  revelations  and  similar
 a  tropical  disease  he  had  contracted  in  the   works, Conrad argues here that both tyranny   terre promise, son jour d’extase et sa fin en exil?   stories  originating  in  Geneva,  one  can  read
 Congo.                                               the novel in a new light.
 and violent revolution are incapable of solving   Conrad himself, like his father and many of his
 human  problems.  The  novel  is  intrinsically   family, was an exile. Whether in the western
 Geneva  and  La  Roseraie  proved  to  be   related to Russian history and experts discern   world  or  under  tropical  skies,  the  exiles  are
 propitious  for  Conrad’s  creativity.  It  was  in   in it the influence of Crime and Punishment.   alien  to  the  land  that  gives  them  refuge.
 1907 at La Roseraie that he rapidly completed   Yet  for  Conrad,  in  general,  Dostoevsky  was   They  always  feel  the  difference,  a  sense  of
 his  first  novel  with  a  spy  plot  -  The  Secret   “too Russian” - something that shed a shadow   unwantedness, if not enmity. The fate of many
 Agent  –  a  story  set  in  London,  involving   on his opinion of other peoples’ concerns and   characters in Conrad’s stories broadens into a
 terrorism, spies, and Russian diplomats. Most   dreams.   symbol of the destiny of mankind. The sorrow
 importantly,  that  stay  in  Geneva  gave  him   of exile is deep inside the psyche of so many   Bibliography:
 the  inspiration  and  the  setting  for  his  next   Conrad’s  works  stand  out  among  his   people  in  this  globalized  world,  dissolving   Conrad, Joseph. Almayer’s Folly: A Story of an Eastern River,
 novel – Under Western Eyes - one of his major   contemporary  British  and  other  writers   their hopes and pride of achievement, making   Guttenberg Project 2006, online https://www.gutenberg.org/
 works. Set in Sankt Peterburg and Geneva, a   with their practically global coverage – from   them suffer from that distress altogether. The   files/720/720-h/720-h.htm
 psychodrama about an ordinary person who   Central  Africa  and  the  South  Chinese  Seas   frontiers  that  have  the  strongest  impact  and   Conrad, Joseph. The Heart of Darkness, Guttenberg Project 2006,
 is recruited as a spy by a ruthless regime. The        online https://www.gutenberg.org/cache/epub/526/pg526.html
 to the British Isles, Poland, and Geneva. In   are most difficult to tackle are in the minds of   Conrad,  Joseph.  Selected  Short  Stories,  Ware,  Wordsworth
 this  sense,  Conrad  can  rightfully  be  called   men, as the French geographer Jean Gottmann   Classics 1997, xxvii-238 p.
 “Geneva and La Roseraie proved to be  a  forerunner  of  globalization.  Yet  Conrad’s   once put it. Describing the pain of living with   Conrad, Joseph. Under Western Eyes, Guttenberg Project 2006,
 propitious for Conrad’s creativity. It was in   global  mobility  associated  him  to  another   these mental frontiers is one of the important   https://www.gutenberg.org/files/2480/2480-h/2480-h.htm
 1907 at La Roseraie that he rapidly   issue that he faced in his life and revealed in   achievements of Conrad.  Hochschild, Adam. “Stranger in Strange Lands: Joseph Conrad
 his works – the pain of exile. Under Western
               Conrad  finalized  Under  Western  Eyes  with
                                                        and  the  Dawn  of  Globalization”,  Foreign  Affairs,  March/April
 completed his first novel with a spy plot  Eyes, like other Conrad’s works, contemplates   2018, pp. 150-155.
 - The Secret Agent – a story set in London,   on the condition of exile in modern society.      Häusermann, H. W. The Genevese Background,   Häusermann, H. W. The Genevese Background, Studies of Shelley,
 involving terrorism, spies,   Geneva,  the  meeting-place  of  the  hapless   Studies  of  Shelley,  Francis  Danby,  Maria  Edge-  Francis Danby, Maria Edgeworth, Ruskin, Meredith, and Joseph
 refugees  depicted  by  Conrad,  has  all  the
 and Russian diplomats. ”  cruelty of a place of exile, a cruelty not wilful,   worth,  Ruskin,  Meredith,  and  Joseph  Conrad  in   Conrad in Geneva, London, Routledge 2016, xiii-224 p.
               Geneva, London, Routledge 20 6, p.2  .



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