Page 46 - RAGEBREED MAGAZINE - ISSUE 2 FLIPBOOK
P. 46

1. Hi  Steve,  hope you are  well?  So  last
      time  we touched base was when you
      headlined our Indoor festival  Ragefest

      2015 at Firebug, Leicester.  How did you
      find the show?
      Hi Karina, yes, it’s been awhile, and hope you’re well!  I
      am doing well out here in the San Francisco Bay Area,
      California, where I moved back to at the end of 2017
      with my wife and family. We are doing our best to stay
      safe and healthy out here until all of this Covid mess
      blows over. We had a great time at the RageFest back
      in 2015! Lots of solid bands,and people we met that
      night, some of whom we still keep in touch with as
      well! It was blast, and we hope to be asked back to
      do it again!
                                                submitted ands was chosen by Mike Varney (of Shrapnel Records fame) to be featured in his
      2. So  a bit about you, you have been in   Hometown Heroes column in Guitar World magazine. I formed an instrumental project with

      bands such as Testament and Forbidden     my old Ariah band mate, bassist Steve Hoffman, called The EssenEss Project, we recorded
                                                an EP that was released in 1993, and wrote for a full length that was going to be a vocal
      so you have  a great thrash  background   based progressive metal band, but I got a call and got picked to be the next lead guitarist
      including your current project One        of the band Vicious Rumors in 1995, and hit the ground running with them for the next 4
      Machine.  Tell us  a bit about your       ½ years. I was friends with te guys, knew the songs, and was able to step in with a few
      journey with previous projects and how    minor adjustments, and learned the new album they were touring on and the new songs
      One Machine developed?                    they were writing for the next album, Something Burning.  We did two records together,

      Right, I started playing in my own local band out here  Something Burning and Cyberchrist for Massacre Records, which I was also a contributor
      in the Bay Area back in the late 1980’s opening for a  to, and toured the US and Europe very frequently over the next several years. I got a call
      lot of the local metal bands on the scene, as well as  from my guitar tech in late 1999 (he was out with Testament while we were writing a new
      some bigger national and international acts when the  Vicious Rumors album), and asked if I might be able to step in and do some touring for them.
      opportunity came along. That  band  was called  Eric Peterson jumped on the phone, and asked me how many songs do I know. I immediately
      Ariah,  wewere  a  five  piece  band  that  was  a  bit  said I know 20 songs! He gave me a list to learn, and in fact, I did know all but the Demonic
      unique in  that we had a female singer, certainly the  material and The Gathering material. I went into a situation that was only supposed to be a
      first of our genre in the Bay Area that I remember  three week tour of Europe and Japan, and ended up staying on and playing for the band for
      anyway. We were also a bit unique in our attempt to be  the next nearly 5 years. That was a blast, and we toured everywhere the call was for us to
      a bit more genre defying as well. We had some songs  be! The guys and the organization were very easy to get along with, and I learned a lot in that
      that fit the category of hard rock, while others were  time. I was also a founding members of the band Dragonlord, the side project Eric started
      a bit more melodic thrash and progressive styled. It  to do, and we did two albums together, Rapture, and Black Wings of Destiny, a bit of touring
      made it difficult at time to get gigs, as booking agents  in the US and Europe as well. When Chuck Billy was diagnosed with cancer, we had a bit of
      didn’t know who to put us with, but we fought on to  downtime, and I picked up a touring situation with the band Nevermore, which initially was
      get where we could get to with the band. We broke up  just a few shows, but we found we got along, had a lot of the same influences between Jeff
      in 1992, and shortly there after I found myself writing  Loomis and I, and I had known Warrel and Jim through Sanctuary before that, and got along
      instrumental music, getting out some shred  with the band very well…that they ended up asking me to join them. I ended up making that
      guitar vibes that I wanted to write an album for, and  decision to join them after a lot of thought, but could also see that Testament was heading
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