Page 33 - ION Indie Magazine MarchApril 2019
P. 33

Kiki Plesha: Thank you for taking the time to chat with me today, David! I am a fan
          of your work with Black Water Greed as Co-Producer as well as Executive Producer
          on their recent album ‘Circle of Sin.’ It’s obvious to me from researching your history
          that  you  have  a  true  heart  for  independent  artists  and  often  take  a  role  of
          mentorship as you really care about the quality of their sound and product. Can you
          tell the readers how you found yourself in the crazy business of music…and what
          was the catalyst for that?

          David Mobley: Before I get started, I want to sincerely thank you for this opportunity,
          Kiki. It’s a great honor to be included in your wonderful ION Indie Magazine and to be
          interviewed by someone that I so much admire. Now about your question…I’ll start by
          saying the catalyst that propelled me into the music business was simply my intense
          love  for  it.  I  couldn’t  get  enough  of  every  aspect  of  the  business  --  especially  the
          songwriting and production part. Although I started onstage playing in a few different
          bands,  I  was  never  completely  satisfied.  But  once  I  discovered  writing  and  song
          production, well, I knew that was my calling. I’ve been at it now ever since 1970. As
          the years rolled by and more and more bands and artists began discovering the digital
          ‘do it yourself’ and home studio platforms, many of the bands and artists stopped
          using  or  trying  to  get  signed by  major  labels. This  is  where  the  ‘indie’ –  short  for
          independent – bands and artists have had to make decisions, very important decisions
          as they continue to grow in numbers and become a reckoning force. When working
          with these artists, one of the biggest and most important decision that must be made
          is which avenue will be best take – try to get signed to a major label or go it alone with
          the concept of ‘do it yourself’.

          KP: I always preach that serious artists need to treat music as a serious business. As
          an entrepreneur who has been successful both in the corporate world and the music
          realm, what is the best piece of business advice that you could give to an up-and-
          coming artist today?

          DM: Great question, Kiki. I probably have repeated this same answer over and over to
          most every person that’s ever asked me about giving them my best advice about music
          or business or both…and that would be to first figure out and know exactly what you
          really want to accomplish, stay extremely focused on reaching your goal, stay eager
          and hungry to reach that goal, and then go after it with all you have. I also stress not
          to get buried in working so hard that you get confused and find yourself stuck in a
          tunnel vision and end up missing the big picture. You’ll get much further along in your
          endeavors  and  reaching  your  goal  simply  by  carefully  thinking  your  way  through,
          rather than to try and work your way through 24/7.  Many bands and artists want
          instant success and gratification, and they end up sweating and working their tails off
          more so than thinking things over. It has always served me well to think my goals out,
          work on them, make sure I stay on track, rest my brain to keep it fresh, look back and
          review what I’ve accomplished that day or that week, and then make sure that I’m
          satisfied with my results. If so, I continue to move forward. I have to feel good about
          the direction I’m moving or I stop and reconsider if I’m actually headed in the right
          direction to reach my goal. Bottom line…brain over brawn…or at least a combination
          of the two.
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