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Her efforts at reeling
                       Last Lift                                                          in sponsors, and keeping
                                                                                          them on board, are legend-
                                                                                          ary, and she has maintained
                                                                                          critical relationships with
        NSAA’s Iconic Director of Sponsorships,                                           key industry sponsors. From
        Amy Steele, Goes Out in Style                                                     early NSAA champions like
                                                                                          Cawley Company and CWA
                                                                to the likes of Doppelmayr, Leitner-Poma, MountainGuard,
                                                                PistenBully, Prinoth, SE Group, SMI, and Snomax, no
        BY DAVE BYRD, NSAA DIRECTOR OF RISK & REGULATORY AFFAIRS
                                                                major player in the ski industry could escape Steele’s “ask.”
                                                                (Notably, she insists on listing suppliers alphabetically: “As a
        AFTER NEARLY 27 YEARS of tenacious and vocal support for   mother of three, all of my kids are totally different and I love
        underwriting NSAA’s pivotal role in promoting ski area devel-  them equally,” Steele explains.)
        opment, education, and industry camaraderie, Amy Steele,    Prior to joining NSAA, Steele was an art teacher,
        NSAA’s iconic director of sponsorships, is retiring.    having received her degree in art education from Skidmore
            After NSAA was reorganized in 1992 following the    College in New York. If anyone knows Steele, they know she
        organization’s separation from the United Ski Industries   has a unique flare for creativity; she even trades haiku poems
        Association (USIA), Steele was one of the four original    with Bo Adams at MountainGuard, an influential industry
        staff members to kick off NSAA’s rebirth, along with    vendor, when she wants to push a key sponsorship. In addi-
        then-president, Michael Berry; then-director of technical    tion to being active in local Denver women’s choir groups,
        services, Sid Roslund; and longtime meetings and conven-  one of Steele’s novel personal passions is felting—believe it
        tions director, Tom Moore.                              or not—creating scarves, jackets, vests, and hats from felted
            Over the past three decades, Steele has been a dominant   wool and fine silk. (Her automobile vanity license plate
        force for good and a fierce advocate for industry vendor mem-  boldly reads “Hats4U.”)
        bers. She innovated the extraordinarily successful model of    Steele has long been dedicated to the underlying collective
        creatively funding conference and convention sponsorships   goals of trade associations and the inherent values they provide
        and creating cross-promotional opportunities for key indus-  to their members. Prior to joining NSAA, she served as the
        try suppliers—a win-win-win strategy for NSAA, the suppliers   director of conventions and meetings for the International
        and, most importantly, the broader industry.            Health, Racquet, and Sportsclub Association in Boston, Mass.
            In fact, during her tenure, Steele has raised millions in   But Steele also was able to think outside the box. She excelled
        sponsorships and sales. This eye-popping amount has criti-  at creating unique gala events for NSAA conventions. And she
        cally helped underwrite NSAA’s non-profit budget, and—as   pushed the envelope beyond boring parties: her ideas included
        Steele cleverly reminds her suppliers at every turn—is directly   having dancers on platforms suspended from a ballroom ceiling
        reinvested back into the ski industry to fund NSAA education   in San Francisco, bringing in a Tarot card reader in Savannah,
        efforts and the exchange of ideas.                      staging buckets of squirt guns on tables at the outside gala in
            “Amy’s tenacity, her backbone, her directness—not    Scottsdale, and even having food trucks brought indoors when
        to mention her charm—makes her an extremely hard per-   the convention returned to San Francisco. She was insistent on
        son to say ‘no’ to, especially when it comes to supporting    encouraging gala attendees to dance, and did so herself with
        our broader industry,” stressed Kelly Pawlak, NSAA presi-  joyful abandon. Steele also developed a unique elevator-pitch
        dent. “Her sales pitch promoting NSAA is honest and     format for the convention, called the “Innovation Showcase,”
        effective, and as a sport and an industry, we are far    giving vendors a brief, 3–4 minute window to deliver a fast-
        better for it.”                                         paced and clever product or service pitch.
            Steele was instrumental when NSAA began producing       Apart from her role at NSAA, Steele is passionately
        the NSAA Journal, first a black-and-white newsletter that   devoted to her family: her husband, Andy, a longtime physi-
        eventually evolved into a full-color glossy magazine, and   cian, and their three accomplished kids, George, Allison, and
        that now serves as the authoritative voice of the ski indus-  Suzanne. She is going out at the top of her game.
        try. Steele’s role in creating the Journal’s unique advertising   “It’s no longer about making a living,” she says, noting
        concept—bundling conference sponsorships and magazine   that all of her kids are finally through college. “Now it’s about
        advertisements together—was hugely important.           making a life.”



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