Page 94 - The Evolution Deceit
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92                    THE EVOLUTION DECEIT




                          THREE DIF FER ENT RE CON STRUC TIONS
                               BASED ON THE SAME SKULL










                                                                         IMAGINARY
                                                                         DRAWING


                 Appeared in Sunday     Maurice Wilson's  N.Parker's reconstruc-
                 Times, April 5, 1964      drawing        tion, N. Geographic,
                                                            September 1960


                 the features of a chimpanzee or the lineaments of a philosopher. These al-
                 leged restorations of ancient types of man have very little if any scientific
                 value and are likely only to mislead the public… So put not your trust in
                 reconstructions. 63
                 As a matter of fact, evolutionists invent such "preposterous stories"
            that they even ascribe different faces to the same skull. For example, the
            three different reconstructed drawings made for the fossil named Aus-
            tralopithecus robustus (Zinjanthropus), are a famous example of such
            forgery.
                 The biased interpretation of fossils and outright fabrication of many
            imaginary reconstructions are an indication of how frequently evolution-
            ists have recourse to tricks. Yet these seem innocent when compared to the
            deliberate forgeries that have been perpetrated in the history of evolution.




                                    Two drawings of Java Man,
                                    which are totally different
                                    from each other, provide a
                                    good example of how fan-
                                    tastically fossils are inter-
                                    preted by evolutionists.

         IMAGINARY                                                        IMAGINARY
                                     Left: Maurice Wilson’s draw-
          DRAWING                     ing (From Ape to Adam: The           DRAWING
                                      Search for the Ancestry of
                                        Man, Herbert Wendth)
                                     Right: Steven Stanley's draw-
                                        ing (Human Origins)
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