Page 443 - Mastermind: The Truth of the British Deep State Revealed
P. 443

Adnan Harun Yahya



                        reach the public only after it was filtered by Wellington House's censorship

                        system. It assigned two official photographers and a few painters to depict the
                        situation at the fronts. Their work had to strictly comply with the directives

                        of Wellington House. No other photographer or painter was allowed to pro-
                        vide material; Wellington House had banned it.


                            Certain British journalists and newspapers were chosen and were given
                        the duty to report the news in line with the instructions of the propaganda

                        bureau. Naturally, these people wrote as requested, presenting only the ap-
                        proved photos. Anyone daring to stray out of these lines to interpret and

                        photograph the war in any other way was sanctioned. In other words, the
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                        British media presented the world in the way the British deep state portrayed

                        it. Today, the situation is not very different except that the media influenced
                        by the British deep state has expanded and spread around the world, with

                        more journalists doing its bidding.

                            Wellington House's anti-Turkish activities represent a broad network of
                        black propaganda that continues even today. The so-called 'Armenian geno-

                        cide' this institution fabricated during WWI, was particularly used to provoke
                        the American public opinion against the Turks and to ensure US participa-

                        tion in the war as a British ally. These claims and Wellington House propa-
                        ganda are still used as leverage against Turkey.

                            Now, let's examine the reasons why a fiction like 'Armenian genocide' was

                        made up in the first place:

                            The British alliance with Russia during WWI wasn't something the USA

                        was willing to accept. Russia was notorious at the time, and the American pub-
                        lic was mistrustful of it. However, Britain needed to keep Russia's support

                        while getting the USA to join the war. For that, it had to find a commonali-
                        ty that could bring these two giants together. According to the plan, a new

                        enemy was going to be forged and that enemy must have looked like it had
                        committed even bigger crimes than Russia. This common enemy was cho-

                        sen as the Ottoman Empire. Turkish politician Onur Öymen explains the sit-
                        uation:
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