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went  double  platinum  within  18  Performance,  Male.)  The  album  Come Runnin’” and an R&B chart   1999; and sang background vocals  his  New  York  apartment  on  April  During  his  lifetime,  Luther  Van-
 months.  itself spent a week at number two  entry in Jam & Lewis’ “I Won’t Let   and  did  vocal  arrangements  on  16,  2003,  the  victim  of  a  serious  dross’  albums  were  certified  for
 in  the  R&B  charts  and  made  the  You  Do  That  to  Me,”  with  a  gold-  BeBe Winans’ Love & Freedom in  stroke,  apparently  brought  on  sales of 23-and-a-half-million cop-
 His  commercial  status  restored,   pop  Top  Ten,  as  second  single  “I  disc certification in December.  August 2000. That same month, he  by  his  diabetes  and  the  physical  ies in the U.S.; estimates of his total
 Vandross undertook his usual pur-  Can  Make  It  Better”  hit  the  R&B   ended his search for a new record  strain of his lifelong struggles with  worldwide  record  sales  were  as
 suits,  singing  background  vocals   Top 20, also making the pop chart,   While weighing offers from differ-  company affiliation, becoming the  his  weight.  Despite  his  illness,  J  high as 40 million. Sales, of course,
 on  the  occasional  album  (Cindy   and third single “Love Don’t Love   ent  record  companies,  Vandross   first  act  signed  to  veteran  record  released  “Dance  with  My  Father,”  tell  only  part  of  the  story,  but  it
 Mizelle’s  Cindy  Mizelle  [1994],   You  Anymore”  became  a  minor   made  some  guest  appearances,   executive Clive Davis’ new startup  which became an R&B and pop Top  is  notable  that,  in  the  precarious
 Naomi  Campbell’s  Babywoman,   R&B  hit.  Simultaneous  gold  and   turning  up  on  BeBe  Winans’  self-  label, J Records. He made his label  40 hit and a gold record, introduc-  world  of  popular  music,  and  in
 Yvonne  Lewis’  No  Strangers  in   titled  album  in  October  1997,  on   debut with the track “If I Was the  ing  the  album,  which  hit  number  particular of the notoriously fickle
 Paradise  [both  1995])  and  under-  Jimmy  Reid’s  Forever  Loved  in   One,” included on the soundtrack  one on both charts, a first for him.  genre of R&B and the difficult cat-
 taking a tour that began on May 31,  Vandross  was  prepar-  March  1998,  and  on  his  associ-  of Dr. Doolittle 2 on June 5, 2001.  Over the next year, “Smooth Love,”  egory  of  crossover  pop,  Vandross
 1995, in San Diego, CA. For his next   ate  Marcus  Miller’s  Suddenly  in   The song also appeared on Luther  “Think  About  You,”  “Buy  Me  a  sold  records  in  the  millions  con-
 album,  he  tried  another  favorite   ing for a round of pub-  June. On April 8, he performed at   Vandross, which was released two  Rose,” and “The Closer I Get to You”  sistently for over two decades. It is
 record company concept, the holi-  licity work when he col-  a  Burt  Bacharach  tribute  concert   weeks  later.  Vandross  and  Davis  (a duet with Beyoncé Knowles re-  even  more  notable  that,  although
 day  collection.  This  Is  Christmas,   at  the  Hammerstein  Ballroom  in   served  as  co-album  producers,  creating  the  original  version  by  he  certainly  molded  his  music  to
 which  contained  seven  originals   lapsed in his New York   New  York,  singing  “Windows  of   with individual tracks produced by  Roberta  Flack  and  Donny  Hatha-  a  certain  extent  to  meet  the  mar-
 along  with  only  three  traditional   the  World”  and  “What  the  World   others, and new songwriters were  way) figured in the pop, R&B, and/  ketplace, he also imposed his own
 Christmas  songs  and  restored  the   apartment...the  victim   Needs Now.” The show was filmed   brought in to give Vandross a new,  or adult contemporary (AC) charts,  direction on R&B. Prior to him, the
 production team of Vandross, Nat   for television and taped, resulting   current sound. The makeover was  as the album sold over two million  popular  music  of  African-Ameri-
 Adderley,  Jr.,  and  Marcus  Miller,  of a serious stroke...  in a soundtrack album, One Amaz-  largely  successful.  Leadoff  single  copies.  Vandross  was  a  sentimen-  cans tended to jump from one style
 was  released  October  24,  1995.   ing  Night,  released  in  November.   “Take You Out” became a Top Ten  tal  favorite  at  the  2003  Grammy  to another with nary a look back-
 It  went  Top  Five  R&B  (with  the   platinum  certifications  arrived  in   Vandross also paid tribute to Patti   R&B and Top 40 pop hit, followed  Awards, and his career total of tro-  ward. But Vandross, coming along
 track  “Every  Year,  Every  Christ-  December.  LaBelle at the same venue on June   by the R&B chart entry “Can Heav-  phies doubled from four to eight as  in the wake of disco and while rap/
 mas” making the R&B Top 40) and   2  for  a  PBS  special.  Deciding  on   en Wait” and the R&B Top 40 and  he won Song of the Year and Best  hip-hop was in its infancy, insisted
 peaked  at  number  28  in  the  pop  Vandross  spent  much  of  1997  Virgin Records, a subsidiary of the   pop  chart  entry  “I’d  Rather,”  as  R&B Vocal Performance, Male, for  on reverence for the soul music of
 charts.  An  immediately  certified  touring,  beginning  with  an  ap-  major  label  EMI,  he  presented  a   the album made the pop Top Ten  “Dance with My Father,” Best R&B  the  recent  past  and  deliberately
 gold album, it became a perennial  pearance  at  Superbowl  XXXI  on  new album, I Know, on August 11.   and  just  missed  topping  the  R&B  Album, and Best R&B Performance  reformulated it in an “old-school”
 seller and went platinum in 2002.  January  26  to  sing  the  national  He had already begun to introduce   chart, reaching platinum status by  by a Duo or Group with Vocals for  approach  that  came  to  be  known
 Also  in  the  1995  holiday  season,  anthem.  He  did  take  time  out  to  contemporary elements of rap and   November.  “The Closer I Get to You.” He made  as the black AC radio format “quiet
 Vandross contributed a track, “The  sing background vocals on Richard  hip-hop on Your Secret Love, and I   an  appearance  via  videotape  to  storm.” Even as rap dominated the
 Thrill I’m In,” to the soundtrack of  Marx’s April release, Flesh & Bone,  Know continued this trend, but it   His  career  revitalized  once  again,   accept his awards and promised to  charts in the early years of the 21st
 the film Money Train.  however.  On  September  30,  Epic/  was a commercial disappointment,   Vandross  toured  in  early  2002,   return to action soon.  century, he maintained his passion
 LV released his valedictory collec-  only going gold and generating just   then  began  work  on  a  second  al-
 Vandross did some touring during   tion, One Night with You: The Best  one  Top  40  R&B  hit  in  “Nights  in   bum for J, taking time out to sing  Meanwhile,  J  Records  had  kept   for  romantic,  melodic  music,  and
 the  summer  of  1996,  and  he  con-  of Love, Vol. 2, which began with  Harlem.” As a result, he left Virgin   Marvin Gaye’s “What’s Going On”  his  name  before  the  public  by   he drew listeners along with him.
 tributed a cover of the Peter, Paul   four new recordings, none of them  after only this one release.  on  Doc  Powell’s  album  97th  and  releasing  the  concert  collection   His  early  death  at  the  age  of  54
 & Mary hit “If I Had a Hammer” to   written  or  produced  by  him,  but   Columbus and to contribute back-  Live  Radio  City  Music  Hall  2003,   robbed  American  popular  music
 the benefit album For Our Children   instead  contributed  by  such  usu-  During  1999  and  2000,  Vandross   ground  vocals  to  “Load  Is  Lifted”  recorded in February 2003, on Oc-  of  one  of  its  more  consistent  and
 Too, released in September, but he   ally  reliable  hitmakers  as  Diane   kept his hand in with soundtrack   on Suzanne Couch’s In the Rhythm  tober 14, 2003; it reached number   compelling voices, and it is only a
 spent most of the year working on   Warren, R. Kelly, and the team of   and session work. He co-wrote and   (not  released  until  2005).  He  co-  six in the R&B charts and number   partial comfort that he left behind
 Your  Secret  Love,  the  album  that   Jimmy Jam & Terry Lewis. Under-  co-produced “When You’re a Wom-  wrote the title song for his new al-  22 in the pop charts. By all reports,   a substantial body of work.
 would  complete  his  Epic  Records   standably,  Epic  didn’t  do  much   an” for Lisa Fischer and Masters at   bum, “Dance with My Father,” with  Vandross  continued  his  recovery
 contract.  It  was  released  on  Oc-  of  a  promotional  job  on  this  con-  Work, featured on the soundtrack   Richard Marx, and they combined  during 2004 and into 2005; he even
 tober  1,  following  the  title  song,   tractual  obligation  release,  which   of  the  film  24  Hour  Woman,  re-  for a heartfelt tribute to Vandross’  appeared on Oprah Winfrey’s tele-
 which  came  out  as  an  advance   nevertheless reached the R&B Top   leased in March 1999; contributed   father. The album was finished by  vision  show  in  May  2005.  But  on
 single that made the R&B Top Five   40 and the pop Top 50, spawning a   background vocals to Natalie Cole’s   the  spring  of  2003,  and  Vandross  July 1, 2005, it was announced that
 and  was  a  pop  chart  entry.  (The   Top 40 R&B hit in R. Kelly’s “When   Snowfall  on  the  Sahara  in  June   was preparing for a round of pub-  he had died, having “never really
 track went on to win Vandross an-  You Call on Me/Baby That’s When I   1999; sang and arranged for Dave   licity  work  when  he  collapsed  in  recovered” from his stroke.
 other Grammy for Best R&B Vocal   Koz’s  The  Dance  in  September
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