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     album,  The  Night  I  Fell  in  Love,  and  reached  the  pop  chart.  Van-  between his fifth and sixth albums
     released  in  March  1985.  Overall  dross’ fifth album, also titled Give  doing shows and working on that
     producer credit again went to him,  Me  the  Reason,  followed  in  Sep-  sixth album, Any Love, which ap-
     with  three  of  the  eight  tracks  co-  tember. His fifth consecutive R&B  peared  in  October  1988  and  was
     produced by Miller. Six of the songs  chart-topper, it included additional  supported  by  a  three-month  U.S.
     were  written  by  Vandross  alone  singles  “Stop  to  Love”  (number  tour.  By  now,  Marcus  Miller  had
     or  co-written  with  Miller  or  Nat  one R&B and his first Top 20 pop  been promoted to full co-producer,
     Adderley, Jr., the exceptions being  hit);  the  duet  with  Gregory  Hines  and  other  co-writers  had  joined
     covers of Brenda Russell’s “If Only  “There’s  Nothing  Better  Than  the  team,  but  the  approach  was
     for One Night” and Stevie Wonder’s  Love,” co-written with John “Skip”  still the same. And so was the suc-
     “Creepin’.”  The  album  spawned  Anderson, a synthesizer player in  cess.  Any  Love  topped  the  R&B
     four R&B single hits: “’Til My Baby  Vandross’ band (also number one  charts and gave Vandross his first
     Comes Home” (Top Ten and a Top  R&B and a pop chart entry); “I Re-  Top Ten pop album, with the usual
     40  pop  hit);  “It’s  Over  Now”  (Top  ally Didn’t Mean It” (Top Ten R&B);  simultaneous  gold  and  platinum
     Five); “Wait for Love” (Top 20); and  and  “So  Amazing”  (an  R&B  chart  certifications  two  months  after
     “If Only for One Night.” The album  entry of a Vandross song previous-  release.  The  title  song  topped  the
     spent seven weeks atop Billboard’s  ly  recorded  by  Dionne  Warwick,  R&B  list  and  penetrated  the  pop
     R&B  LP  list,  going  gold  and  plati-  whose  Burt  Bacharach/Hal  David  chart;  second  single  “She  Won’t
     num  simultaneously  as  soon  as  hit “Anyone Who Had a Heart” was  Talk to Me” went Top Five R&B and
     it  was  eligible  for  certification  in  revived  on  the  LP).  Simultaneous  made the pop Top 40; and “For You
     May and double platinum in 1990.  gold  and  platinum  certifications  to Love” was another Top Five R&B
     It  also  reached  number  14  in  the  in  December  were  followed  by  a  hit.
     pop charts, Vandross’ best showing  double-platinum award in 1990.
     yet. With his own album out of the                      Vandross  had  by  now  become
     way,  he  made  some  selected  ap-  In  1987,  Vandross  contributed  a  an  international  success,  and  a
     pearances on other albums during   song,  “It’s  Hard  for  Me  to  Say,”  record-breaking  ten-night  stand
     1985, contributing a song, “She’s So   which  he  co-wrote  with  John  at  London’s  Wembley  Arena  in
     Good to Me,” to the soundtrack of   “Skip” Anderson and co-produced,  March  1989  was  commemorated
     the  film  The  Goonies  and  singing   to  Diana  Ross’  album  Red  Hot  with a home video, Live at Wemb-
     on albums by Carly Simon (Spoiled   Rhythm & Blues, and worked as a  ley. At the close of an enormously
     Girl),  Patti  Austin  (Gettin’  Away   background  singer  and  arranger  successful  decade,  Vandross  and
     with  Murder),  and  Wonder  (In   on  Ava  Cherry’s  Picture  Me  and  Epic  determined  to  sum  things
     Square Circle). He also sang back-  Cheryl  Lynn’s  Start  Over.  He  also  up, and in October 1989 issued the
     ground vocals on the Temptations’   appeared  on  Irene  Cara’s  Caras-  two-LP  greatest-hits  compilation
     “Do You Really Love Your Baby,” a   matic,  Nick  Kamen’s  self-titled  The  Best  of  Luther  Vandross:  The
     song he co-wrote with Miller that   album,  and  Doc  Powell’s  Love  Is  Best  of  Love,  which  included  two
     peaked in the R&B Top 20 in early   Where  It’s  At.  Meanwhile,  Gerald  new  tracks,  “Here  and  Now”  and
     1986.                       Albright  covered  “So  Amazing”  “Treat  You  Right.”  With  those  ad-
                                 and took it into the R&B Top 20. In  ditions,  the  collection  didn’t  just
     Vandross spent much of 1986 work-  1988,  Vandross  sang  background  summarize  Vandross’  career,  it
     ing on his own material, only paus-  vocals  on  Patti  Austin’s  The  Real  finally  gave  him  his  long-sought
     ing  to  contribute  background  vo-  Me  and  Barbra  Streisand’s  Till  I  major crossover hit, as “Here and
     cals  on  David  Bowie’s  soundtrack  Loved You, and he wrote “The Girl  Now,” a song co-written by Dionne
     to the film Labyrinth. The results of  Wants  to  Dance  with  You,”  which  Warwick’s son David L. Elliott with
     his efforts were first heard in June  became  a  Top  Ten  R&B  hit  for  Terry  Steele,  not  only  topped  the
     when  “Give  Me  the  Reason”  was  Gregory Hines. The song appeared  R&B chart but also hit the pop Top
     included on the soundtrack to the  on Hines’ self-titled album, which  Ten,  going  gold  in  the  process.  It
     film Ruthless People and released  Vandross  produced.  Otherwise,  also won Vandross his first Gram-
     as a single that went Top Five R&B  he  spent  the  two-year  interval  my Award, for Best R&B Vocal Per-

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