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The two outstanding tracks on the album are for me, the Steely Dan classic,

    ‘Kid Charlemagne’, the story of the rise and fall of a drub baron in the
    flower-power days of San Francisco, and the equally stunning ‘Nick Of Time’

    written by Bonnie Raitt (here with a second appearance by Will Wilde).
    Raitt  won  the  Best  Female  Pop  Vocal  Performance  at  the  32nd  Annual

    Grammy Awards and had another win for the Album of the Year bearing

    the same title.. In 2015 the song was inducted into the Grammy Hall of
    Fame.  This version is seriously funky with a super bass part driving it.

    Outstanding!


    All in all this is a cracking album which delivers high quality music delivered
    by outstanding musicians. Get it now!


    Ian K McKenzie


                                               Trevor  Babajack  Steger—Six  Foot  Ten—
                                               Own Label


                                               In an effort to seek the same sort of ambience
                                               achieved  by  the  field  recordings  of  the  Alan

                                               Lomax,  John  Lomax  or  Mack  McCormick

                                               Trevor Steger studiofied his home, which is a
                                               narrow boat (Sirius) moored on the river Avon

                                               (The  width  of  a  narrow  boat  is  six  foot,  ten
                                               inches, hence the title of the album).


    Using two condenser microphones and with ‘baffles’ created by hanging
    blankets and duvets, Trevor spent a week recording fifteen songs most

    written by him, using two National guitars, Trevor’s self-made Weissenborn
    and  a  bunch  of  harmonicas.  Later  Trevor  brought  to  the  ‘studio’,    Jo

    Chambers (violin), Jesse Benns (percussion), Lily Skinner (backing vocals),

    Paul Jones (producer) and his mobile studio to record  violin, percussion
    and backing vocals.


    Well,  how  does  it  work?  Answer:  Success!    Trevor  has  achieved  the

    ambience he wanted. These songs, as we used to say, sound truly authentic,
    just like those field recordings of  close to 100 years ago. The principle

    difference is in the musicianship. Trevor and his friends bring to all the
    music a degree of accomplishment that is  second to none. All in all this

    album reveres its past whilst signalling that ‘revivalist’ does not mean ‘stuck

    in the past. Wonderful!

    Ian K McKenzie
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