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Mike Bloomfield— It’s Not Killing Me &
                                                     Live at the Old Waldorf—Retro World

                                                     FLOATD6468


                                                     Despite  being  one  of  the  pre-eminent
                                                     figures in the US blues revival in the 60s

                                                     and his work with some of rock’s biggest

                                                     names back then, these days guitarist Mike
                                                     Bloomfield is often overlooked. He died in

                                                     1981 at only 37 years old, when, as Alan

                                                     Robinson’s detailed and candid notes to
                                                     this  double  CD  release  state,  he  was

    “regarded as a washed-up guitar-playing has-been that was never that much
    in the first place”.


    The two albums under consideration here are his first album under his own

    name, “It’s Not Killing Me” issued by Columbia in 1969, and “Live At The
    Old  Waldorf”,  a  compilation  from    shows  in  1976  and  ’77  at  the  San

    Francisco venue that was only issued in 1998. Aslan points out the failings

    in what was Bloomfield’s eagerly awaited set at the time. His vocals are OK
    but  nothing  more,  but  more  seriously,  the  material  was  too  diverse  –

    country, a blues ballad, and more than a nod to The Band, Bob Dylan’s

    backing outfit.

    ‘Far Too Many Nights’ shows what could have been, an excellent blues with

    plenty of biting guitar work by the leader, with a fine band behind him.
    ‘Next Time You See Me’ is the Junior Parker hit penned by Earl Forest and

    is another excellent blues, again with some impressive guitar work, fine

    horns and a cracking band. ‘Don’t Think About It Baby’ is also worthwhile,
    but many of the other tracks are not blues in anyone’s book, and the album

    now seems like a lost opportunity.

    In contrast, the live recordings on CD2 present Mike playing the blues with

    friends and in excellent form, frequently playing slide guitar. This one comes

    highly recommended, and is a far better – and bluesier – representation of
    Bloomfield’s  strengths.  And  those  are  actually  enough  to  outweigh  the

    failings of that first album.


    Norman Darwen
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