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'Stealin' Home' is one of the album's most bluesy songs and it celebrates the black
    baseball star Jackie Robinson, with acoustic slide from Robbie and harmonica from

    Michael Jerome Browne and 'King of the Castle' is another very bluesy atmospheric
    song with lead guitar from Robbie and more harp.  We also hear of the horrors in
    the fight for equality with 'Neshoba County' telling of the 1964 murders of civil rights

    campaigners in Mississippi, while 'Dear Mavis' is a shout out to the great Mavis
    Staples with just Eric and his guitar (and of course the Staple Singers were also great
    champions of civil rights back in the day).  'Roll on Buddy' is a powerful song about
    chain  gangs  with  Chuck  Anthony  adding  his  guitar  and  Greger  Andersson  on

    harmonica, whereas 'Judgement Day' is a short acoustic song calling for peace, with
    just Eric's guitar and vocal and Glen on mandolin.

    The title song is another song featuring the beautiful string quartet but this time

    contrasting with Mr. McIntosh's biting lead guitar and finally 'Victory Voices' is a
    gentle song with Lily James sharing the vocals with Eric.  This is another excellent
    piece  of  work  from  Eric,  his  wonderful  voice  is  prominent  throughout  and  the

    production means that the record really does sound sensational. Indeed, Glen Scott
    plays a huge part in the album's success, not only in his production but also with his
    playing on every track – guitars, keyboards, bass, drums, percussion, backing vocals,
    string arrangements, programming etc. etc. – and also his co-writing of the songs

    with Eric.  As usual Eric's songs feature not just general topics but also references
    to black American history and the fight for civil rights – a fight that still goes on today!

    Graham Harrison


                                            Toby Lee—House on Fire—100% Records  ASIN :
                                            B0DC1VH2WL

                                            Like many others I was first aware of Toby Lee as a

                                            blues  guitar-playing  child  prodigy  on  YouTube  but
                                            then I got to see him close up at the Blues Heaven
                                            Festival in Denmark in 2019, both on the main stage
                                            and jamming with Curtis Salgado's band in a bar, and

                                            also at the Cheltenham Jazz Festival this year.  This is
                                            his third album and each one has been a step up from
                                            the last in both production and in Toby's playing and

                                            singing and this new one features all original songs.
    We start with the title song a loping rocker with strong vocals and tricky lead guitar,
    'Just Hold On' is much rockier with a screaming lead guitar solo, while 'Count On Me'
    is more melodic.  I really liked 'Blame Me' which has an interesting groove and

    unusual guitar and 'No Need to Lie' is one of the album’s most bluesy tracks with
    outstanding lead guitar.

     After this slow blues, 'Fever' blasts off - a fast powerhouse with both harmonica and

    brass as well as pounding drums, 'Into the Light' has another interesting groove and
    also slide guitar and a massive production, whereas 'Saviour' is simpler with subtle
    guitar.  'Patiently Waiting for Love' is a nice soul ballad in the Robert Cray style,
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