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rock style. The tribute to pioneering Civil Rights activist Ida B Wells, ‘Weight Of The
     World’ has a very soulful vocal and audience participation on backing vocals.


     For the final two numbers, he reaches back to his 2013 recorded set, “The Reverend
     Shawn Amos Tells It”.  ‘Hoodoo Man Blues’ is another cover – of Junior Wells’ classic
     – played well and received rapturously, whilst ‘Sometimes I Wonder’ is a soulful vocal

     and guitar track, a lovely way to finish off a fine release.

     Norman Darwen

                                             Travellin’ Blue—Lay Down Knuckle Under—Naked
                                             (Single)

                                             (www.donor.com/naked)

                                             This digital single announces a slight change in the
                                             name  of  the  Belgian  band  formerly  known  as  The
                                             Travellin’ Blue Kings, and this move also heralds both

                                             some changes in personnel and serves as a precursor
                                             for the band’s third album due next year, the follow-up
                                             to 2022’s successful “Bending The Rules”. This set is

                                             a  catchy  sounding  blues-based  number,  with  some
     excellent, almost Claptonesque guitar work, presumably by the very experienced
     Luke Alexander. It augurs well for the upcoming album.


      Norman Darwen

                                             Katie Knipp—Me—Independent
                                             (www.katieknipp.com)

                                             Singer/  songwriter  Katie  Knipp  out  of  Concord,

                                             California  presents  here  ten  original  compositions,
                                             plus shorter radio edits of three of these tracks. The
                                             result is not your standard blues release.


                                             The  opening  track,  ‘Mud’,  is  a  fine,  big-sounding,
                                             slightly theatrical number with some gritty sax playing
                                             and based around a Ray Charles riff, and next up is the

                                             heavy  slide  guitar  driven  blues-rocker  (and  rock  it
     certainly does) ‘Outlaw Doc’ – nice harp solo too. ‘Go’ also leans towards blues-rock
     with both psychedelic touches and something of a soul touch to the vocals (lead and
     backing), ‘The Devils Armchair’ also has a fierce blues-rock guitar break, and ‘Lava

     Pot’ has some strong slide playing over a blues-backing.

     Some tracks fall into a 70s rock style – try ‘Vampire’, the ballad ‘Time And Space’, or
     the laid-back ‘Dirty Cables’. Some, like ‘The Devils Armchair’ with its absolutely fierce

     guitar break, span both – or maybe it is better to say they avoid easy classification.







     Sean Taylor—The End Of The Rainbow—Self Release                                                                   Sean Taylor—The End Of The Rainbow—Self Release
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