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“You  Still  Got  Me”  is  her  fifteenth  album  (eleventh  studio  album)  and  features
    contributions by the increasingly ubiquitous ‘Slash’ and by ace guitar man Eric Gales.


    Here we have eleven tracks all featuring the emotion laden contralto of Ms Hart with
    some deeply impressive arrangements. The guest musicians feature on the first two
    tracks but the outstanding track on the album is without a doubt ‘Little Heartbreak

    Girl’ a largely autobiographical piece which stems from a period in which Hart was
    enduring some mental health challenges; an experience which Beth has said before
    often drive her to the piano as a therapeutic tool.


    Taken as a whole, this album is an emotional roller-coaster, a few steps from the
    blues it is true, but for all that, a wonderful example of Beth Hart’s talent and a gentle
    hint that there are many more years of self-revelation and burgeoning talent yet to
    come.


    Ian K McKenzie

                                            Prakash  Slim—8000  Miles  To  The  Crossroads—
                                            Blue Point Records

                                            Just one look at the sleeve of this album should tell you

                                            that it is a quality offering well worth a further look
                                            (or  listen).  Produced  by  Michael  Freeman  (Brit,
                                            Grammy Award Winning Producer (of more than 75

                                            albums), recording engineer,  and (former) Chairman
                                            of the Blues Foundation), recorded by Scott Bowman
                                            (Bo-Keys, “Black Snake Moan”) Emmy Awards winning

                                            producer,  at Sam Phillips Recording in Memphis, TN
    and with special guest Johnny Burgin; American, and an outstanding guitar and
    harmonica player.

    Prakash Slim of course hails from Nepal (where MT Everest is) a location not well

    known for its link to the blues and 8000 miles from the Crossroads. Somehow, it’s
    still not clear to me how, Prakash Slim has so profoundly absorbed the ethos of blues
    music and, allowing his home environment  to have its influence, has turned them

    into a source of magic.

    Here are twelve acoustic blues, three of them covers and once again, Slim reveals
    how deeply he has assimilated the genre and how skilfully he can emulate the style

    and form of a music from the early part of the twentieth century and another country
    8000 miles away.  Even the American accent is convincing.  The electiric guitar fills
    by Johnny Burgin are sensitive and well delivered.

    I am going to predict that this one will be an award  winner and that Prakash Slim

    is taking a path that will see him ere long, sitting on top of the world.

    Ian K McKenzie
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