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Ed Alstrom—This Idea of Humanity—Haywire


                                          Ed was born in Ridgewood, New Jersey and currently
                                          resides in Montville, New Jersey. From mastering guitar

                                          and drums to working in R & D for Casio electronics he
                                          also  has  Bachelor’s  degree  in  classical  organ.  He  has

                                          worked with the likes of; Chuck Berry, Hubert Sumlin,
                                          Darlene Love and Ronnie Spector. In 2004 he became

                                          ‘The New York Yankees’ organist. On this, his second
                                          album, he takes lead vocals and plays nearly all other

     instruments.

     ‘Put You First’, is a jaunty piano, Hammond organ and choir gospel with vocal echoes

     of Ray Charles and Van Morrison.

     ‘All I’m Gonna Do’, is a martial, stomping blues with splendidly weaving, harmonica

     sounding organ work.

     ‘Humans’, Ed hails the wonder of all humanity, in this enticing rolling blues, except

     for humans, that is. ‘Nothing Good to Say’, an urging, keyboard harmonica shuffle,
     here Ed’s father advises him to keep bad thoughts to himself.


     ‘Bridesmaid’, a doleful grooving blues, on being second best.  ‘Party Planner’, is a
     punchy, upbeat piercing Hammond soul groover.


     ‘Understanding’ a splendid piano and brush, slow burner on bafflement. ‘Blues Keep
     Coming Back’, this piano and brushes otherworldly slow burner proves that the

     blues comforts, like a faithful dog. ‘Go Ahead’, an enticing, jaunty vamping piano
     urges the thoughtless to speak their minds.


     ‘Inquiring Minds’, Jazzy, African rhythms underpin, tales of woe and division from
     the top down.


     Slow burner: ‘The Way Back’, eerie slide from Jimmy Vivino, haunting bass and
     rolling piano on mentally falling through the cracks.


     ‘Got to Stop’, an enticingly driving, Ramsey Lewis piano feel: on downward spiralling
     addictions.


     ‘So Hard’, a tribute to the manual worker: an enticing stomping, rocking metallic
     percussion is matched with needle sharp, Hammond organ.


     ‘Worry’, disturbing, ethereal backing vocals inhabit a progressive jazz piano, on the
     deadly man-made problems of the world today.


     Highly recommended!

     Brian Harman
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