Page 30 - BiTS_12_DECEMBER_2023
P. 30

other Reverend, Reverend J.M. Gates, back in the 20s. He would do a little preaching
    and then the choir would sing afterwards.


    I was streaming that, and it just hit me, hey, I'm just going to release this album now,
    and that's what happened. It took me maybe from writing to recording, the mixing,
    the copyrighting and releasing it, it was probably a three-month period. It was real

    quick. Probably the best recording experience I've ever had.

    BiTS:  When you went into the studio, Scott, was the thing all in your mind or was it
    formulated ready to go, or did you make up stuff in the studio?


                                                                  DSR:  Oh no, it was fully written and
                                                                  arranged,  ready  to  go.  At  the  time,
                                                                  every year I've been going for the past

                                                                  four or five years up to Memphis for
                                                                  the International Blues Challenge, and
                                                                  I was up there, and I had a lot of time

                                                                  in  the  hotel  in  Memphis  during  the
                                                                  morning  and  so  I  worked  on  all  the

                                                                  arrangements then. So when I got back
                                                                  home  and  got  in  my  studio,  I  just
                                                                  knocked it out. So I mean, I went in
                                                                  fully prepared this time. When you're

                                                                  playing,  there's  still  some  improv  in
                                                                  there. I can't help it when I'm playing.

                                                                  I'll  start  going  off  on  a  tangent  and
                                                                  some of that album has that in it too.

    BiTS:  The studio is declared on the CD cover as Slow Q Studio in Pensacola.

    DSR:  Slow Q, that is my studio.


    BiTS:  That is your studio, is it? Okay.

    DSR:  Yeah, that is my studio.

    BiTS:  Tell me, the sound is absolutely fantastic because it has that kind of edge to it,

    which is modern sound audio stuff, but also, it sounds like it could have been recorded
    100 years ago. How do you do that?

    DSR:  I'm going to tell you, it's really amazing that you and a couple of other people

    have picked up on that because that's exactly what I was going for. I'd like to tell you
    there was a magic spice through all things that came out with that. I think part of this

    was because I really enjoyed this recording more than any of them in the past I've
    done. I think that may come through in the recording. That and it’s so stripped down.
    I think that really calls back to the old pre-war era with that and gives it that vintage

    vibe, but you're also dealing with modern technology now. So it's kind of the best of
    both worlds at this point.
   25   26   27   28   29   30   31   32   33   34   35