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DSR:  [Laughs] Yeah, I've had some shows like here in Pensacola, as my old music

    hall opened up for  Chris Thomas King, and when you’re just playing your own music,
    people don't know your music. They don't know you and just suddenly find yourself
                                                                             connected  and  you're  like,

                                                                             how did this happen?

                                                                             I've  played  clubs  like,  and  I
                                                                             remember  thinking,  you

                                                                             know, just me on stage, this
                                                                             big stage by myself, I say, how
                                                                             did I get here? How did this

                                                                             happen?  But  it's  moments
                                                                             like that that keep you going.
                                                                             You  know,  that's  the  fun

                                                                             about it.

                                                                             BiTS:  What's your stage rig,

                                                                             Scott? Do you have a couple
                                    Ground Zero Blues Club
                                                                             of  mics  or  foot  pedals  or
                                    Biloxi, Mississippi
                                                                             what? How does it work?


                                                                             DSR:  When I started out, I
    was micing obviously my vocals and I was playing a resonator guitar with Spearman
    Brewers, and I was micing it and that just became a feedback hassle just dealing
    with that. So I eventually got some pedals and a DI box, and I started to switch to

    that. One thing that happened when I started doing the micing is because I had to
    watch it because I move around. I find myself moving around. So I had to make sure

    I sat down when I did the microphone, and so now that's kind of stuck. So I sit down
    all the time when I play. But 30 years, especially with the resonator, you've got to
    have a good EQ pedal and it took me about a month and a half to really get that sound
    right where I could play it live. I've got a couple of pedals and I've got a DI box. I just

    run through the pedal board now. It keeps my sound consistent anywhere I go.

    BiTS:  It's funny you say that about moving around. I remember reading not so long
    ago that Reverend Gary Davis, who was blind, of course, used to turn around on

    stage, and every now and again, somebody would have to go and point him to the
    front again [chuckling].


    DSR:  Oh, yeah, it's funny. You play some places, especially floors that are stone or
    something like that and they're a little slick. I'll start playing and I'll get done with
    the song and I'll find out my chair turned like 45 degrees. I'm like, what the hell,

    man [laughing]. You can't help it. When you get into it, sometimes your feet start
    moving, you start wiggling around because you're trying to squeeze every good
    emotion out of you, and that happens.


    BiTS:  What have you got coming up in the future? Anything big?
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