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SM: My band, The Wilson Mower Pursuit, was making a lot of headway at the time, and one of
     the club owners saw us, and started booking us into a few of his clubs, turns out the owner was
     Punch Andrews, who, as it happens was Bob Seger’s manager. I met Bob briefly, and then we
     started to open for him occasionally, what a great time in my life that was. Things were really
     starting to pick up, career-wise.

                                                                                              Bob        eventually
        Shaun Murphy, Bob Seeger, Marcy Levy                                                  asked  me  to  do  a
                                                                                              session for the song
                                                                                              Katmandu, and that
                                                                                              course      set    that
                                                                                              wheel  in  motion.
                                                                                              Fast  forward  a  few
                                                                                              months…I  was  out

                                                                                              in LA with Motown,
                                                                                              but  was  caught  in
                                                                                              the revamping of the
                                                                                              Motown  company,
                                                                                              so I was pretty much
                                                                                              on  hold  with  what
                                                                                              their  plans  were.
                                                                                              Suddenly,  a  call
                                                                                              came in from Punch:
     ‘Bob wants to know if you’d like to sing some backups for him on the road’. Well, I’d really never
     done anything quite like that, so, how hard could it be???

     I immediately called the Motown offices, told them; ‘when you get serious, call me, otherwise,
     I’m going back to Detroit and work’! Then after a short hiatus with Bob Seger And The Borneo
     Band, his star was rising. I’d left for another play on Broadway: Sgt. Pepper’s Lonely Hearts Club
     Band On The Road, A Robert Stigwood extravaganza. A number of my bands filled a few years,
     and Bob called again, he’d been listening to some tapes and thought I’d better come back out and
     join the band…..and I was there till he retired 11/1/19.


     LL: On to working with Eric Clapton! Please tell us all about it!
     SM: Now here’s a perfect kismet! I had to drive to one of Punch’s clubs to pick up a band check,
     and lo and behold, Bob Seger was in the office, but what was most interesting was that Cream

     was playing that very club, that very moment!! So I got to meet Eric, and of course chat a few
     minutes with Seger….What were the odds that two of my favorites, in the same venue, at the
     same time?!?

     I have to digress a bit, to tell you that while on the road with Seger, at the beginning, I was singing
     with Marcy Levy, (aka, Marcella Detroit) Well, again, fast forward, Eric Clapton was doing a new
     album Called “Behind The Sun”. Eric asked Marcy if she knew of another singer with a strong
     voice that would be a good fit for the recording. Right away, my name came up!!! I got a call and
     Eric’s manager asked if I would care to fly to sing on this record, like in a couple of days….sure,
     ‘do you have a passport?’ Thankfully, I said yes, ‘oh good, because we’re recording in Monserrat
     in the Caribbean. In a daze,  I gathered myself, flew down and Phil Collins was the producer, a
     more detailed, put together schedule, I’d never seen, everything went like clockwork, perfectly
     timed! We went in to do the first song. At the end, Eric came in the vocal booth and said: ‘Would
     you two like to do the touring for this record?’ We looked at each other, and in unison, cried YES!
     Could it have been more perfect? YES, we did Live Aid as well!!
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