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results generally fit the album title rather well, as the music itself is rough and rootsy
     indeed, with James’ vocals sometimes approaching the ferocious, and the backing

     musicians energetic and gritty – sometimes extremely subtle.

     The  songs  vary  from  the  fervent  country-gospel  flavour  of  ‘Gravy  Train’  and  the
     pop-flavoured Americana with a vaguely Mexican feel of ‘Go Down Swinging’ through

     to the vintage sounding roots rock of ‘Rag Doll’, the slow, electric slide guitar powered
     remake of ‘Dig To China’, by far the album’s longest track at almost seven minutes,

     and the R & B-ish closer, ‘I Got This Problem’.

     The songs themselves are unselfconsciously clever and compelling, in a southern
     Gothic fashion. If you can imagine a down-home Tom Waits, you might not be too far

     off with this set.

     Norman Darwen

                                                 Erja Lyytinen—Smell the Roses—Tuohi
                                                 (www.erjalyytinen.com)


                                                 The Finnish slide guitar maestro (and regular visitor
                                                 to these shores) is back with a new album and as
                                                 usual, it is certainly well worth listening to! She is

                                                 very much in blues-rock mode here, as is obvious
                                                 from the opener, the set’s title track, with its big-

                                                 sounding,  riffing  guitar,  huge  instrumental  break,
                                                 attitude-laden vocals and the driving backing of her
                                                 three accompanists on Hammond organ, bass and

                                                 drums.

     It sets the scene well for the remaining eight tracks. ‘Going To Hell’ is an urgent
     blues-rocker with hints of soul balladry and heavy metal, lightning guitar work–

     unlikely  combinations  maybe,  but  daring  and  certainly  effective  and  memorable!
     ‘Abyss’ runs to over seven minutes and is a classic blues-rock tour-de-force, whilst
     ‘Wings To Fly’ has a strong early 70s feel.


     ‘The  Ring’  is  another  huge-sounding  driving  blues-rocker  with  just  a  hint  of  Led
     Zeppelin maybe. ‘Ball And Chain’ is not the Big Mama Thornton number, but does
     sport some slashing slide guitar work , whilst ‘Stoney Creek’ has an appropriately

     thick, swampy feel and ‘Empty Hours’ brings this classy blues-rock opus to a close
     with an excellent basically electric slide guitar and vocal performance that will make
     you sit up.


     Norman Darwen
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