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version, Billy Swan’s catchy ‘Lover Please’ provided Clyde McPhatter with a hit in

    1962, and ‘Mercy Mercy Mercy’ was written by future Weather Report keyboardist
    Joe Zawinul for jazzman Cannonball Adderley, and a hit in 1967. Steve’s version is
    a fine guitar instrumental.


    It's not often that a history lesson is so informative and entertaining. Well worth
    your time and money!

    Norman Darwen








                                                Steve Howell & The Mighty Men—Yeah Man—

                                                Out of The Past Music  OOTP 0020

                                                Steve; lead vocals, acoustic and electric guitars, is
                                                back with his Mighty Men, Chris Michaels; Guitar,
                                                Dave  Hoffpauir;  drums  and  Jason  Weinheimer;
                                                keyboards and bass, he also, produced the album.
                                                It was recorded at The Fellowship Hall Little Rock,

                                                Arkansas.

                                                The  first  of  twelve  numbers  is  Blind  Lemon
                                                Jefferson’s  ‘Long  Lonesome  Blues’,  which
                                                effortlessly  spills  out  from  the  speakers.  The

    unhurried, purring, warming and dulcet vocals are entwined with crisply picked
    echoing, burring and twanging guitars, supported by a delicately burning organ.

    Eddie Hinton’s ‘Yeah Man’, is a delightful, soulful organ and guitar slow burn.  J.B.

    Hutto’s ‘20% Alcohol’, is advice against over imbibing. This gentle, walking blues
    contains slapping drum work and bubbling burning guitar. The Clovers, ‘One Mint
    Julep’, is turned into a floating, gossamer instrumental, with a raw rising, twanging

    finish.

    Originally, a hit for Robert Mitchum (sic, Ed), ‘Little Ole’ Wine Drinker Me’, is stripped
    down, into a gently swinging country foot-tapper. Andy Kirk and His Clouds of Joy’s

    ‘I’m Glad For Your Sake’, is a splendidly lilting and affectingly mournful ballad.

    Doo-woppers The Reflection’s ‘Just Like Romeo and Juliet’, is an inviting and gently
    swinging hope filled, optimistic love ballad.  Julian “Cannonball” Adderley’s ‘Mercy,

    Mercy, Mercy’, is a gossamer fine slow instrumental, with gentle rich guitar and organ
    blissfully entwining.

    Bo Diddley’s ‘Dearest Darling’, is a gently inviting, irresistible, swirling toe-tapper.

    Clyde McPhatter’s ‘Lover Please’, is a splendidly sad sing-along lovelorn pleader.

    ‘Wade In The Water’, is stripped of its classic “Mod” connotations and returned to
    its true, meaningful spiritual, gospel home, by Steve and the boys. Splendid!
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