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However, Keith also throws in some more unusual songs - ‘Sleep Baby Sleep’ is a
    country song by the singing brakeman Jimmie Rodgers (complete with yodelling!)
    and ‘Long Gone from Kentucky’ is a more obscure blues by Little Hat Jones.  ‘Who

    Pumped the Wind in My Doughnut’ is a ragtime nonsense song from Washboard
    Sam,  while  ‘Mother’s  Last  Words  to  Her  Son’  is  a  lovely  sentimental  song  from
    Washington  Phillips  and  we  check  out  with  ‘There  Will  Be  a  Happy  Meeting’  a

    beautiful  instrumental  from  the  Bahamian  guitarist  Joseph  Spence.    Keith  is  a
    wonderful guitarist - both on slide and picking - who isn’t just content to replicate

    the classic country blues, his version of ‘Nobody’s Fault but Mine’ is obviously based
    on  Johnson’s original. but is very much Keith’s own take and, while I did enjoy
    hearing these country blues bangers, for me the highlights here are the other related
    roots songs.


    Graham Harrison

                                                Early  James—Medium  Raw—Easy  Eye  Sound

                                                ASIN:B0DHD9W85Z

                                                This the third album by Early James (Fredrick James
                                                Mullis  Jr.)  was  going  to  be  recorded  like  its

                                                predecessors in the Easy Eye studios in Nashville
                                                but  then  producer  Dan  Auerbach  switched
                                                proceedings  to  Buddy  Jackson’s  house  ‘Honky
                                                Chateau’  to  try  to  get  the  sound  of  old  field

                                                recordings  by  Lightnin’  Hopkins,  Fred  McDowell
                                                etc.


                                                They  recorded  the  album  on  an  old  refurbished
    valve console that had been built by Rick Hall for his Memphis Fame Studios, with
    James (vocals, guitar), Adrian Marmolejo (bass) and Jeff Clemens (drums) all in

    separate rooms.  Opener ‘Steely Knives’ and ‘Nothing Surprises Me Anymore’ are
    both played on picked acoustic guitars with minimal bass and drums with the latter
    having an almost gypsy jazz guitar break and James’ husky vocals.  The moody ‘Tinfoil

    Hat’ has reverb-y electric guitar, with the rhythm section mixed up higher and ‘Go
    Down Swinging’ again has a gypsy jazz vibe, while ‘Rag Doll’ uses electric guitar for
    an almost rockabilly sound.


    ‘Gravy Train’ is a lovely subtle rocker with delicious light-as-a-feather guitar playing
    contrasting with the rasping vocals, ‘I Could Just Die Right Now’ is a poignant blues
    ballad and ‘Unspeakable Thing’ features more reverb-heavy electric guitar, while

    ‘Beauty Queen’ reverts to picked acoustic.  ‘Dig to China’ is a moody blues with slide
    guitar that was on his debut EP and we check out with the catchy ‘I Got a Problem’.

    You couldn’t really claim that this record is blues but it is certainly very bluesy in

    places and does have a pleasing raw, rough and ready sound and obviously with Dan
    Auerbach’s (Black Keys) and Jeff Clemens’ (G. Love and Special Sauce) involvement
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