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This  nine-track  set  was  recorded  in  February  2025  at  the  Central  Iowa  Blues
     Society’s Winter Blues Festival. The duo plays three of Jaisson’s own, rather fine
     compositions, and six standards. Jimmy Reed is a favourite – the set opens with

     ‘Going To New York’ and later we are given ‘Bright Lights, Big City’. There are also
     fine, stripped-down versions of Muddy Waters’ ‘Honey Bee’, Jimmy Rogers’ classic
     ‘Walking  By  Myself’,  and  ‘Spoonful’,  drawing  from  Howling  Wolf  to  judge  from

     Jaisson’s vocal, though throughout the album, he doesn’t really sound like anyone
     else. Both men add their own subtle distinctive touches – these may be standards,
     and recognisably so, but they are also individual performances.


     There  is  a  fine  cover  too  of  the  gospel  number  ‘Run  Sinner  Run’,  from  Mance
     Lipscomb, and showing a slightly different side to their music. It is all well worth
     checking out.


     Norman Darwen

     (www.brandonhudspeth.com)





                                          Paul Filipowicz—Breakwater—Big Jake Records

                                          Singer and guitarist Paul Filipowicz has been playing
                                          around  Chicago  for  more  than  five  decades,  and  has

                                          made some rather fine albums. “Breakwater” is another,
                                          and contains plenty of West side Chicago, stripped-down
                                          guitar blues.


                                          The opener, ‘Tuff Girl’ has guitar work that reminded me
                                          of  Jimmy  Dawkins,  and  elsewhere  Paul  conjures  up
                                          memories  of  some  of  Chicago’s  finest:  ‘Lefty  Phillips’

     refers to Lefty Dizz and Brewer Phillips, ‘That’s The Truth’ brought back memories
     of J.B. Hutto walking across the tables at London’s 100 Club, ‘I’m Leaving You’ is a
     worthy  homage  to  Howling  Wolf  (though  Paul  wisely  perhaps,  doesn’t  recreate

     Wolf’s vocal),  and Freddy King came to mind with the closing instrumental ‘Rollcage’.

     Yes, this is a tough set with the raw production suiting the approach. Only the original
     ‘Poor Boy’ doesn’t really work well – it just seems a little messy, but we can forgive

     Paul that. Maggie “Blues Chic” Aliotta channels Koko Taylor on her recording debut
     with a guest vocal on ‘That’s Why I’m Crying’, a nice change of focus.

     You have to like your blues rough and ready to appreciate this set. If that’s you, then

     buy with confidence.

     Norman Darwen


     (www.paulfilipowicz.com)
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