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Mark  Cameron—Blues  Factory—Overton    Music
                                          #OMX 1005


                                          Minnesota  resident  Mark  Cameron’s  latest  release

                                          comprises of ten new original numbers. The band are,

                                          Mark;  guitar  &  vocals,  Sheri  Cameron;  saxophone,

                                          percussion & vocals, Dan Schroeder and Greg Schutte;
                                          drums, Bill Keyes; Harmonica and vocals. Steve Hansen,

                                          Nick  Salisbury  and  Josh  Granowski  on  bass,  Tommy

                                          Barbarella;  keyboards,  Shane  Cox;  trumpet  and

    trombone with Zach Miller on tenor saxophone.


    ‘The Wrong Thing’, is a sweetly rolling, shoulder shuffler, with a splendidly morose

    harmonica, underpinned by an enjoyably terse smarting slide.


    ‘Too Hot To Boogie’, continues the goodtime rolling, with hot horns, a lolloping beat;
    hand clapping and a lively chorus are behind a moaning harmonica and an urging

    slide.


    Mark’s smoothly inviting baritone on ‘Blues Factory’, is downbeat, as a miserable

    slide and ephemeral flute lead on a tale comparing a failing love  affair to factory

    work: repetitive and dull.


    ‘Drink On The Job’, a morosely mellow wailing horn section leads on a sad tale of the

    combination of alcohol, work and sex.  ‘Sugar’, is a horn drenched sun shining tribute

    to Memphis on this tale of avoiding sugar.

    ‘Can’t  Stand  Still’,  this  splendid  harmonica  wailing  boogie  possesses  a  lolloping

    backbeat and sizzling guitar. ‘Change Your Ways’, a slow, burning blues with stark

    eloquent, mellow guitar backed with a raw, attacking bass line.


    ‘Friends Like These’, a joyful harmonica and guitar shuffle on celebrating the age old

    question; who can stab you in the back first? ‘Ain’t No Way’, a haunting flute, bubbling

    keyboards and rich, mellow guitar, lead this tale of doubt of love. Will you won’t you

    stay together. ‘Below The Bottom’, an inviting, punchy harmonica, guitar and horns

    blues shuffle, about how low can you go before you rise again?


    Most enjoyable, highly recommended!


    Brian Harman
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