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the originals would really like the contemporary sounds and beats on offer and
    particularly Datrian Johnson’s outstanding vocals.  However, for someone like me
    who knows all the originals I find it harder to warm to these covers, although I do

    applaud  Luther  for  trying  something  new  rather  than  just  trotting  out  precise
    versions of these oft-covered songs.

     Graham Harrison


                                          The Lucky Losers—Arrival—MoMojo Records

                                          I’m always interested in listening to anything recorded
                                          at  Kid  Andersen’s  Greaseland  studio,  in  this  case  an

                                          album by San Francisco's The Lucky Losers fronted by
                                          singer  Cathy  Lemons  and  singer/harp  player  Phil
                                          Berkowitz.  They are backed by a band featuring Danny

                                          Caron  and  Simon  Govan  Smith  (guitars),  Chris  Burns
                                          (keyboards),  Edgar  San  Gabriel  (bass)  and  Jon  Otis
                                          (drums), plus Andersen on guitars, bass, keyboards as

                                          well as a few other Greaseland associates.  ‘Scam’ starts
    us off – a Stax-style song about scams with riffing brass and Cathy out front, whereas
    ‘Sunday Stroller’ has Phil on vocals with Cathy harmonising but she is back in front

    on ‘Pull on the Rope’ an emotional gospel-inflected political song - “If we don’t work
    together, we’re all gonna fail…”.

    Cathy also fronts a powerful song about sexual abuse “I Believe Her, (Because I Am

    Her)  and  ‘Pig  Iron  Tough’  is  another  autobiographical  song  about  her  life,  both
    growing up and also the rigours of touring.  ‘Don’t Let It Slip Away’ is a classic
    dramatic soul ballad with brass and a nice subtle guitar solo from Caron.  Phil is back

    out front on ‘Misfit Kids’ and the album finishes with ‘Ain’t the Marrying Kind’ with
    them both singing over acoustic guitar and minimal backing.  I’m afraid that I was

    disappointed by this album, like all Kid’s productions it sounded great but I wasn’t
    impressed  by  the  original  songs  and  the  general  style  which  seemed  to  fall
    somewhere between soul and blues and not really feeling comfortable in either.


    Graham Harrison

                                          Kyle Rowland—Not Holding Back—Little Village

                                          Singer harmonica player Kyle Rowland is from Georgia
                                          but is now based in Sacramento and he also ventured to

                                          Kid  Andersen’s  Greaseland  studio  to  record  this  his
                                          second album, with Kid and Rick Estrin co-producing.
                                          The  album  has  eight  originals  with  seven  covers  and

                                          features  Kid,  Johnny  Burgin,  Bob  Welsh  and  Anson
                                          Funderburgh (guitars), Kid and Jim Pugh (keyboards),
                                          Randy  Bermudes  and  Ronnie  Weber  (bass)  and  June
                                          Core,  Myles  Silvera  and  Paul  Revelli  (drums).    Kyle
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