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know, he used to love it with DADGAD and all that stuff. I think it was immediately influenced by
    his time in Morocco.

    BiTS: At around about that time, Wizz, there were literally dozens of players of high standard,

                                                                 including some of the ones that you
                       Davey Graham                              mentioned and yourself, is there anybody
                                                                 who to you was outstanding? Who would you
                                                                 travel some distance to go and see play?

                                                                 WJ: In those days? Well, as I say, the
                                                                 situation I was in I would never be able to go

                                                                 to a concert or anything like that. I’d watch
                                                                 and play in the coffee bars of Soho and I
                                                                 suppose I was into all the black music when
                                                                 they started getting those blues packages
                                                                 coming over. I’d try and get to some of those
                                                                 because I had the early Muddy Waters

                                                                 records. I think it, first of all, came out on an
                                                                 EP, the first time. You had those first-ever
                                                                 recordings from the 40s of Muddy with Little
                                                                 Walter  ‘All Aboard’ and ‘Mannish Boy’ and
                                                                 all that and that’s really what excited me.
    Years later, people like J.J. Cale were really up my street.


    BiTS:  Absolutely.

    WJ: I blew it myself because I kind of wound up on the folk sort of thing. I was influenced by
    listening to folk music, the Ewan MacColl stuff on the radio. The Radio Ballads and all that. Apart
    from the blues and Ramblin’ Jack Elliott and all the Woody Guthrie stuff. I saw Jack Elliott with
    Derroll Adams when they came to London, and I followed them around and got to know them. I was
    very impressed with that flatpicking Carter Family sort of style of guitar playing. It was all kind of

    happening at once and then, of course, rock and roll. All at the same time [chuckles].

    BiTS:  By a strange coincidence, I have an acoustic blues show on the radio and I played a Jack
    Elliott track in last night’s show. A thing called ‘Arthritis Blues’ - the ‘Talking Blues’.

    WJ: Oh great. I got to know Jack in the end quite well and we met up with him in Germany and
    travelled with him. We had this package called Folk Range where there were lots of people on this
    package and I was doing some of the driving. I got to know Jack, and he said to me [chuckling], “I

    want to ride with Wizz, I like the way you drive, boy”. He was my hero.

    BiTS: Do you have any idea how many records you’ve made?

    WJ: I’ve made about 15, maybe. I don’t know. Something like that. I don’t know. I’ve not really
    bothered to count them. None of them were particularly successful or sold anything but that does
    make them valuable now because if you make an album and it doesn’t sell, 50 years on, it’s kind of

    a collector’s record, isn’t it [chuckles]?

    BiTS:  That’s true enough, yes. Are you still active? I gather you go out.

    WJ: Well, have you looked at my website at all?
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