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harmonica in reggae dub and soul and stuff like that.
                                                       Obviously  Stevie  Wonder,  but  apart  from  Stevie

                                                       Wonder there was a lot of diatonic stuff as well, you
                                                       know, harmonica. And then through a friend of mine,
                                                       who did me a tape or something, I think that's when

                                                       I heard Sonny Boy Williamson I, and I thought, oh
                                                       my word, that’s a player.

                                                       BiTS:  Yes.

                                                       EL:  And that really turned me on, that Sonny Boy.
                                                       That's when I started going into Dobells [Jazz Record
                                                       Shop in Charing Cross Road] and buying some tapes,
                                                       and at the time, I would also borrow stuff from the
                                                       library,  tape  it  and  stuff  before  I  started  buying
                                                       records. It was mainly tapes, I think, at the time. But
                                                       then, yeah, I'd started discovering the old blues.

                                                       BiTS:    Errol,  how  did  you  learn  what  actually

                                                       inhibited many, many players of blues in the early
                                                       days – how did you learn things like cross harp and
                                                       that kind of thing?

                                                       EL:  I had a little guitar, so I was kind of doing some
                                                       chords on the guitar and you just kind of naturally
       John Lee Wiiliamson (Sonny Boy #1) o            hear it. Do you know what I mean?

                                                       BiTS:  Okay.

                                                       EL:  You can actually hear it. When I first started
     playing, I was probably playing more straight harp, but then you find out where the notations
     are on the harmonica and E chords. You find out right, I'll hit the E chords second note on a
     harmonica and then you find your way around like that. My guitar helped me, but also, I think
     when I first got that ‘wa-wa’, that bending note, I went, wahey! That took me about six months
     [laughing].

     BiTS:  Yes, I bet.

     EL:  Yeah, so them little bits were encouragement. I can remember throwing harmonicas on
     the railway tracks, or something [laughs], just threw it away.

     BiTS:  That’s wonderful.

     EL:  Frustrating.

     BiTS:  That reminds me of all those old jazz musicians in New York going out onto the roof to
     play.


     EL:  Okay.
     BiTS:  You were nineteen when you first started to play. When did you first start playing with
     a band?


     EL:  I first started playing with a band, that probably would be in my 20s because after a couple
     of years playing, someone said to me, oh, have you ever tried going busking? I thought, nah! I
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