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For the latter try the pulsating, rocking ‘Say You Wanna Dance’ or the Southern-rock
    styled  cover  of  The  Rolling  Stones’  ‘Dead  Flowers’.  ‘Monterey’  and  ‘Teaser’  are
    blues-rock all the way, and Brad’s vocal sounds a little like Paul Rodgers on his own

    ‘Heartbreaker’, maybe no coincidence as he then covers Mick Ralphs ‘Ready For
    Love’, written for Mott The Hoople but which was later taken up by Bad Company.

    In complete contrast though is the delicate instrumental ‘Love And Peace’, written

    by bluesman and ace session musician Arthur (K.) Adams, or Brad’s own straight-
    forward shuffle ‘Back Roads’. Eddie Cochran’s ‘Summertime Blues’ is something of
    a surprise, but fits well here.


    Brad plays blues-rock that remembers there are two halves to that definition, and
    that  the  order  of  the  two  is  like  that  for  a  reason  –  he  stays  close  to  the  blues
    throughout. It’s easy to figure out why Brad’s popularity is growing all the time –

    he’s just so good at what he does.

    Norman Darwen

    (www.bradwilsonlive.com)








                                                 Kim  Field  and  the  Perfect  Gentlemen—Don’t
                                                 Need but One—Blues Dream


                                                 Portland,  Oregon’s  Kim  Field  may  be  known  to
                                                 some – blues harp lovers especially – for his book
                                                 Harmonicas,  Harps  And  Heavy  Breathers  and  as

                                                 co-author of the biography The Blues Dream Of Billy
                                                 Boy Arnold. It should come as no surprise then that
                                                 he is himself a very fine blues player, and he shows

                                                 it throughout this mostly swinging blues set – try
                                                 the  instrumental  ‘Dress  The  Monkey’  for  a  fine
                                                 example.


    He  is  also  a  fine  singer,  songwriter  and  band-leader  too,  as  this  release  also
    demonstrates. His vocals are generally cool – lend an ear to the groovy, early soul
    sound of the title track.


    His songs are memorable, and mostly squarely in the blues tradition and each with
    his own individual touch. As for his band – it’s described as an All Star outfit because
    that’s what it is. One name leapt out at me – Chris Mercer on tenor sax as a member

    of The Soul Survivor Horns, formerly a member of John Mayall’s band in the 60s,
    and I just discovered he came from a few miles up the road from where I live! Then
    there is Jimi Bott on drums – of The Mighty Flyers, The Fabulous Thunderbirds, The

    Mannish Boys and many, many more. But everyone involved impresses mightily.
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