Page 3 - OCTOPUS COMMISSION REPORT SCHWARZKOMMANDO ENG
P. 3
OCTOPUS COMMISSION REPORT NOV 3TH 2101
case, it could have arisen much earlier, In Appendix C, you can find all the haiku
were one not always afraid of simple in- that have been transliterated and tran-
tuitions: once an “oriental” ideogramma- slated so far.
tic structure had been created, the Issuer
opted for the creation of short senten- Deciphering this series of haiku has
ces, recalling, in a free but obvious way, allowed to establish well-founded
the structure of Japanese haiku. This hypotheses about the nature of the Is-
hypothesis was supported by the recur- suer. Opinions split between a totally
rence, in all the series of complex strin- extraterrestrial nature and a more hybrid
gs, of an isolated bitmap of the original one. This hypothesis was supported by
Cosmic Call ( O ), meaning ‘division’. The the Issuer’s too casual handling of se-
most plausible interpretation was that it mantic, linguistic and historical content
corresponded to the haiku’s kireji. It is that was clearly terrestrial in origin and
an untranslatable Japanese ideogram, could not be deduced from the scant bit-
often transliterated in translations with a maps of the original Cosmic Call.
hyphen (-), designating a sort of untran- During these discussions, which someti-
slatable interruption/connection within mes protracted idly, something happe-
the poetic composition, pointing to a ned that somehow cleared the field for
sense of change, an intuition, a change the hybrid hypothesis. The Issuer revea-
of perspective. led itself in a form that went far beyond
As is often the case in deciphering work, the radio message, however articulate
this hypothesis has allowed us to deci- that may have been. A graphic digital fi-
pher the signals in a cascade effect and gure appeared on the screens of Yevpa-
to give them a transliteration and con- toria, its form becoming more and more
sequent plausible translation, in a net distinct in a sort of human face. Coinci-
statistical margin of error in attributing ding with the visual phases of this meta-
meaning to the various combinations of morphosis were the haikus that had been
“ideograms”, and subsequently to the catalogued until now, these too now pre-
haiku made up thereof. sented in a graphic form that surprisin-
gly corresponded to the deductions and
BELOW IS AN EXAMPLE OF A HAIKU: decipherments that had been made ba-
sed on the radio signals until then. In the
Wì#W 01L O -./:L Dz Z;% wzá òK hours following the video appearance, a
sort of symbolic totem pole made of Er-
Transliteration: gal, a now disused aeronautical material,
was also found near the main radio tele-
Consciousness Code kireji DNA Key scope. This contained a dodecahedron,
Body ActionEtc Immortality a bonsai tree planted in an ostrich egg,
and an old radio emitting musical frag-
Translation: ments. It did not take long to realize that
the sound line was synchronized with the
Consciousness is in the code – video that had appeared in the laborato-
DNA as the body’s key ries. The two objects were thus related.
Makes immortality.
NB: the bitmap á = Etc/... placed at the
end of an ideogrammatic string, makes it
into a verbal form. In this haiku for exam-
ple: wz Action + á Etc/... = wzá To make
OCTOPUS COMMISSION REPORT NOV 3TH 2101
