Page 306 - ESSENTIAL LISTENING TO MUSIC

30. Beethoven: “Pathétique” Sonata, I. Vladimir Horowitz, piano. Originally released 1964. All rights reserved by Sony Music Entertainment
31. Beethoven: Symphony No. 5 in C minor, I. Cleveland Orchestra; George Szell, conductor. Originally re­ leased 1964. All rights reserved by Sony Music Entertainment
32. Beethoven: Ode to Joy from Symphony No. 9, IV. New York Philharmonic; Leonard Bernstein, con­ ductor. Originally released 1968. All rights reserved by Sony Music Entertainment
33. Schubert: Erlkönig. Dietrich Fischer­Dieskau, baritone; Gerald Moore, piano. Courtesy of Deutsche Grammophon, under license from Universal Music Enterprises
34. Clara Schumann: “Liebst du um Schönheit.” Barbara Bonney, soprano; Vladimir Ashkenazy, piano. P 1997 The Decca Music Group. Courtesy of The Decca Music Group, under license from Universal Music Enterprises
35. Chopin: Nocturne in E­flat major, Op. 9, No. 2. Arthur Rubinstein, piano. Originally released 1965. All rights reserved by Sony Music Entertainment
36. Berlioz: Symphonie fantastique, IV. New York Philharmonic; Leonard Bernstein, conductor. Originally released 1964. All rights reserved by Sony Music Entertainment
37. Verdi: La traviata, “Follie!” and “Sempre libera.” Tiziana Fabricini, soprano; Roberto Alagna, tenor; Orchestra of La Scala; Riccardo Muti, conductor.
P 1993 Sony Music Entertainment
38. Wagner: “Ride of the Valkyries,” Die Walküre.
Dresden Staatskapelle; Marek Janowski, conductor. P 1981 Sony Music Entertainment
39. Bizet: Habanera from Carmen. Leontyne Price, soprano; Vienna State Opera Orchestra; Herbert von Karajan, conductor. Originally recorded 1963. All rights reserved by Sony Music Entertainment
40. Puccini: “Che gelida manina,” La bohème. Montserrat Caballe, soprano; Placido Domingo, tenor; London Philharmonic; Sir Georg Solti, con­ ductor. P 1974 Sony Music Entertainment
41. Brahms: Violin Concerto in D minor, III. Hilary Hahn, violin; Academy of St. Martin­in­the­Fields; Neville Marriner, conductor. P 2001 Sony Music Entertainment
42. Musorgsky: “Promenade,”Pictures at an Exhibition. Chicago Symphony; Seiji Ozawa, conductor. Originally released 1967. All rights reserved by Sony Music Entertainment
43. Musorgsky: “The Great Gate of Kiev,” Pictures at an Exhibition. Chicago Symphony; Seiji Ozawa, con­ ductor. Originally released 1967. All rights reserved by Sony Music Entertainment
44. Debussy: Prelude to The Afternoon of a Faun. Philharmonia Orchestra; Pierre Boulez, conductor. Originally released 1967. All rights reserved by Sony Music Entertainment
45. Stravinsky: Le Sacre du printemps, Introduction and Scene I. Cleveland Orchestra; Pierre Boulez, con­ ductor. Originally released 1969. All rights reserved by Sony Music Entertainment
46. Schoenberg: Madonna from Pierrot lunaire. Yvonne Minton; Ensemble conducted by Pierre Boulez, conductor. P 1978 Sony Music Entertainment
47. Copland: Appalachian Spring, I. Boston Symphony; Aaron Copland, conductor. Originally re­ corded 1959. All rights reserved by Sony Music Entertainment
48. Copland: Appalachian Spring, II. Boston Symphony; Aaron Copland, conductor. Originally recorded 1959. All rights reserved by Sony Music Entertainment
49. Copland: Appalachian Spring, VII. Boston Symphony; Aaron Copland, conductor. Originally recorded 1959. All rights reserved by Sony Music Entertainment
50. Zwilich: Concerto Grosso 1985, III. New York Philharmonic; Zubin Mehta, conductor. P 1989 Recorded Anthology of American Music, Inc. Courtesy of New World Records, Recorded Anthology of American Music, Inc.
51. Mulligan: “Jeru.” Miles Davis Nonet. Courtesy of Blue Note Records, a Division of Capitol Records, Inc. Under license from EMI Music Marketi
52. Adams: Short Ride in a Fast Machine. Bournemouth Symphony; Marin Alsop, conductor. P 2004 Naxos Rights International. Courtesy of Naxos of America
53. Williams: Hedwig’s Theme, Harry Potter and the Sorcerer’s Stone. Original Soundtrack. P 2001 Warner Bros. Courtesy of Rhino Entertainment Corp.
Copyright 201 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial review has deemed that any suppressed content does not materially affect the overall learning experience. Cengage Learning reserves the right to remove additional content at any time if subsequent rights restrictions require it.
56797_BM_ptg01.indd 284 29/08/14 3:30 PM