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"No, it isn’t right," says Ahmed. "Tom, how do you interpret it?"

                     "It’s a pledge that Walther has made with an occult enterprise, in lieu with
                   shamans and clairvoyants. Something to that extend," replies Tom.

                     “I must admit that I think there is something very uncanny about this,

                   considering that Johan, who owned this jewellery box, is not here. What on earth
                   have they been doing?” says Olina and makes an anxious face.

                     "What is a mandrake?" asks Ahmed.

                     "It's something that the occult shamans use. I have to go home and study further
                   upon this,” Tom says, putting the letter back in the jewellery box, closing it and

                   walking over to his private safe, opening the iron door and putting in the
                   jewellery box in, where his guns, money, watches already lays.

                     "Can you imagine believing in something bizarre like this, getting involved in it,"

                   continues Ahmed. "I am speechless, to be honest. What is this, some kind of sect?
                     Olina interjects: “Yes, something is implying that it is an occult sect we’re

                   dealing with. I guess they’re looking for money to spend, then committing the

                   collective suicide together, as the Grand Master watches down from his throne,
                   haha. Now, you’ll have to excuse me,” says Olina still grinning. Maybe she’s trying

                   to shake off the previous nervousness. She leaves the room.


                                                           ***






                   Claire
                   The city of Augsburg is located in Bavaria. In the old part of the city lies a

                   property that, 70 years ago, formed the framework of a fatal tragedy, which

                   consisted of the somewhat underdeveloped kid Kim being used as a stick-up boy
                   for the Gestapo. The Nazis looted paintings and art from the countries they

                   occupied, including from the Winter Palace in Leningrad. The art then got

                   transported to Germany, and the finest and most precious of art treasures were
                   exhibited at the Führer Museum in Linz.

                     Uno Hinterglaub, a former critically acclaimed and well-renowned gallerist and
                   art expert, worked as a forced labourer for the Nazis during World War II, with
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