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Chapter 7                                         The crown is one of the most spectacular parts of a Ming
                                                            empress’ costume.  Surviving portraits of empresses in the
                                                                           1
          The Empress’ Dragon                               National Palace Museum, Taipei, portray the splendour of
                                                            these headdresses (Pl. 7.1). Dome-shaped and with curved
          Crown: Establishing                               panels extending from the back, they are decorated with

                                                            precious stones, pearls and gold. Not only are they items of
          Symbols of Imperial                               opulence, they are also rich in symbolism, and are
                                                            impressive ways of communicating imperial authority and
          Authority in the Early                            status. This chapter focuses on the crowns of empresses, and
                                                            to a lesser extent on their ceremonial robes, as a way to
          Ming                                              explore how ‘empress-ship’ was conceptualised in Ming
                                                            China in the period 1400 to 1450 – a topic that so far has not
                                                            been explored in scholarship. It begins by identifying the
          Luk Yu-ping                                       features of crowns worn by early Ming empresses in
                                                            comparison with those of previous dynasties. It will then
                                                            consider how elements of the empress’ crown defined her
                                                            position within the imperial family through the organisation
                                                            of sumptuary laws. It will argue that the common
                                                            appellation of empress’ crowns as fengguan 鳳冠 (phoenix
                                                            crown) and the assumption that phoenixes alone represented
                                                            empresses in the Ming dynasty need to be reconsidered.
                                                               Ming-dynasty emperors were polygamous, continuing a
                                                                                                 2
                                                            well-established institution in China’s history.  Emperors
                                                            were expected to bear children with multiple women in
                                                            order to safeguard the imperial line. The 18th-century
                                                            official Ming shi 明史 (History of the Ming) records that the
                                                            founder of the dynasty, the Hongwu 洪武 emperor
                                                            (r. 1368–98), had 15 named consorts who bore him many
                                                            sons and daughters.  Based on a Song-dynasty system, Ming
                                                                            3
                                                            consorts were graded according to ten ranks and divided
                                                            Plate 7.1 Anonymous, Official Portrait of Empress Xu, Wife of the
                                                            Yongle Emperor, Ming dynasty, Beijing. Album leaf, ink and colours
                                                            on silk, height 65.7cm, width 52.1cm. National Palace Museum,
                                                            Taipei











































          68 | Ming China: Courts and Contacts 1400–1450
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