Page 245 - China's Renaissance in Bronze, The Robert H.CIague Collection of Later Chinese Bronzes 1100-1900

lotus blossom, endless knot, branch of coral, and a book of Chinese Ceramics, 155, number 150.
jewel of another type. 14. See Watt and Ford, East Asian Lacquer, 103-
21. Zhou Lili, 'Ciqi bajixiangwen xintan,' 314-16; 04, number 38.
Brinker and Lutz, Chinese Cloisonne: The Pierre 15. See, for example, Rhie and Thurman, Wisdom
Uldry Collection, figure 73; d'Argence, Treasures and Compassion, 278-79, number 102; 287, number
from the Shanghai Museum, 171, number 111. 106; 295, number 111.
22. See Zhou Lili, 'Ciqi bajixiangwen xintan,' 325, 16. See, for example, Valenstein, A Handbook of
number 26; 331, diagram. Chinese Ceramics, 260, number 262.
23. See Zhou Lili, 'Ciqi bajixiangwen xintan,' 327, 17. See Watt, Chinese Jades, 122-23, number 104.
number 37.
24. See Zhou Lili, 'Ciqi bajixiangwen xintan,' 332, 22
diagram.
25. Xuande dingyi pu, juan 8, 235. 1. See Xuande yiqi tupu, volume 2, juan 19,6 recto.
26. See Xuande yiqi tupu, volume 2, juan 17, 6 recto 2. See, for example, Rhie and Thurman, Wisdom
and verso; 7 verso; 8 recto. and Compassion, 287, number 106; 295, number
27. See Zhou Lili, 'Ciqi bajixiangwen xintan,' 324, 111; 339, numbers 134.1-2.
number 23; National Palace Museum, Blue-and- 3. See d'Argence, Treasures from the Shanghai
white Ware of the Ming Dynasty, book 2, part 2, Museum, 100, number 80.
104-05, plate 33; 108-09, plate 35; 124-25, plate 45. 4. See Ministry of Culture and Information, Sinan
28. Wen Zhenheng, Zhangwu zhi, juan 7, 198. haejoyumul, 73, number 87.
5. See Zhou Lili, 'Ciqi bajixiangwen xintan,' 329,
21 number 41; 332, diagram. Chinese Symbolism and
of
6. Williams,
Outlines
1. See Xuande yiqi tupu, volume 2, juan 16, 3 Art Motifs, 155 (Eight Treasures).
recto; juan 19, 3, 5 recto. 7. See Mino and Tsiang, Ice and Green Clouds, 124-
2. See Xuande yiqi tupu, volume 2, juan 15, 2-3 25, number 45; 129, number 47; 132-35, numbers 49-50.
recto; juan 19, 3 recto. 8. See Mowry, Handbook, 62-63, 1979.131-36;
3. See Hayashi, In Shu seidoki soran, plate vol- Percival David Foundation, Imperial Taste, 33, num-
ume, 151-156. ber 10; Mino and Tsiang, Ice and Green Clouds,
4. See Hayashi, In Shu seidoki soran, plate vol- 138-57, numbers 52-60.
ume, 151, number 5.
5. See Brinker and Lutz, Chinese Cloisonne: The 23
Pierre Uldry Collection, figure 271.
6. See Brankston, Early Ming Wares of Chingtechen, 1. See Xuande yiqi tupu, volume 2, juan 15,4 recto.
plate 10b; National Palace Museum, Blue-and- 2. See Valenstein, A Handbook of Chinese Ceramics,
white Ware of the Ming Dynasty, book 2, part 2, 230, number 224.
130-31, plate 51; Percival David Foundation, Imperial 3. See Valenstein, A Handbook of Chinese Ceramics,
Taste, 63, number 33. 240, number 243.
7. See Mowry, Handbook, 75, number 1979.167; 4. An unpublished Kangxi-period porcelain vase
77, number 1979.173. in the collection of the Harvard University Art Muse-
8. Such monuments include the Juyong Gate out- ums (accession number 1942.148) has the same shape
side Beijing. See Murata and Fujieda, Kyoyokan, as the vases indicated in notes 2 and 3, above, but
volume 2 (plates), plates 69-72, 93. it has decoration in gold over a 'mirror-black' glaze.
9. See Percival David Foundation, Imperial Taste, 5. See Watt, An Exhibition of Te Hua Porcelain,
54, number 27; 56-57, number 28 and figures 27-29; number 49; Donnelly, Blanc de Chine, plate 12
Medley, The Chinese Potter, 173, figure 127; 179, (top); plate 20 (top left).
figure 131; 183, figure 134; 185, figures 136-37; 187, 6. K.C.Chang,'Ancient China,'in K.C.Chang editor,
figure 138; plate 5. Food in Chinese Culture, New Haven and London:
10. See Machida International Print Museum,Chugoku Yale University Press, 1977, 34.
kodai hanga ten, 92, number 22; Heather Karmay, 7. See Hayashi, In Shu seidoki soran, plate vol-
Early Sino-Tibetan Art, Warminster, England: Aris ume, 1-35.
and Phillips Ltd, 1975, 47, numbers 26-28; 50, num- 8. Sir Percival David editor and translator, Chinese
bers 29-30. Connoisseurship: The Ko Ku Yao Lun. The Essential
11. See Karmay, Early Sino-Tibetan Art, 85-91, num- Criteria of Antiquities, New York and Washington
bers 50, 52-54, 56, 58, 60, 62-63. DC: Praeger, 1971, 12; for Chinese text, see 338,7a.
12. See Machida International Print Museum,Chugoku
kodai hanga ten, 94, number 2; Karmay, Early Sino- 24
Tibetan Art, 85, number 49.
13. See Mowry, Handbook, 70, number 1979.153; 1. See Xuande yiqi tupu, volume 2, juan 14,3 recto.
75-76,1979.168,1979.170; Percival David Foundation, 2. Xuande yiqi tupu, volume 2, juan 14, 3 verso.
Imperial Taste, 58, number 29; Valenstein, A Hand- Comments following the illustrations in Xuande yiqi
2 2 1
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