Page 16 - September 20 2021 Fabian Collection of Chinese Paintings Art Bonhams NYC

Further Reading:

Bai Qianshen, “Chinese Calligraphy in the Mid to Late Qing and
Republican Periods (1850-1950),” New Songs on Ancient Tunes 19th-
20th Century Chinese Paintings and Calligraphy from the Richard
Fabian Collection, Honolulu, 2007, pp. 66-80.
Lothar Ledderose, “Calligraphy at the Close of China’s Empire,” Art at
the Close of China’s Empire, Phoebus 8, Phoenix, 1998, pp. 189-207.
Hua Rende, “The History and Revival of Northern Wei Stele-
Style Calligraphy,” Character and Context in Chinese Calligraphy,
Princeton, 1999, pp. 104-131.

參考閱讀
白謙慎, “Chinese Calligraphy in the Mid to Late Qing and Republican
Periods (1850-1950),” New Songs on Ancient Tunes 19th-20th
Century Chinese Paintings and Calligraphy from the Richard Fabian
Collection, 檀香山美術館, 2007年, 頁66-80。
Lothar Ledderose, “Calligraphy at the Close of China’s Empire,” Art at
the Close of China’s Empire, Phoebus 8, 鳳凰城, 1998年, 頁189-207。
華人德, “The History and Revival of Northern Wei Stele-Style
Calligraphy,” Character and Context in Chinese Calligraphy , 普林斯
頓, 1999年, 頁104-131。

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