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LU YINGXIANG (LATE 19TH CENTURY) Published/出版:
Journey While Reclining, 1885 Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated
Horizontal handscroll, ink and color on paper, inscribed by the artist Catalogue of Chinese Paintings, Third Series, Volume 1: American and
with a date of Guangxu yiyou, followed by two artist’s seals reading Canadian Collections, University of Tokyo Press, 2013,
Jingzhong and Lu Anxiang yin, with a third unidentified seal, mounted A50-276, pp. 228-229
with by a frontispiece by Xu Yunlin (19th century), titled in seal script 戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大
and dated bingxu (1886) and signed Xu Yunlin with two calligrapher’s 學出版會,東京,2013年,A50-276,頁228-229
seals, also mounted with a calligraphic colophon by Xu Yunlin
dated bingxu. Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the
4 3/4 x 282in (12 x 716.7cm), the painting only, exclusive of the Thunder and the Rain: Chinese Paintings from the Opium War Through
frontispiece and colophon the Cultural Revolution, 1840-1979, San Francisco: Echo Rock
Ventures, in association with the Asian Art Museum Chong-Moon Lee
$2,000 - 3,000 Center for Asian Art and Culture, 2000, pp. 54-56
Andrews, Julia Frances, Michael Knight, and Pauline Yao,《風雲際
陸應祥 臥遊圖 設色紙本 手卷 一八八五年作 會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術
博物館,李鐘文亞洲藝術文化中心,舊金山,加州,
Provenance/來源: 2000年,頁54-56
Sotheby’s New York, 18 March 1997, lot 61
紐約蘇富比,1997年3月18日,拍品編號61
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