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WENG SHOUQI (ACTIVE 1891-1921) AND WANG TONGYU Provenance/來源:
(1856-1941) Far East Fine Arts, San Francisco, California, 1989
A Collaborative Landscape, 1894 加州舊金山遠東藝術中心,1989年
Horizontal handscroll, ink and color on satin, with an artist’s inscription
by Weng Shouqi and dated jiawu, and signed Qi with an artist’s seal, Published/出版:
followed by two additional inscriptions by Weng Shouqi, the first in Toda, Teisuke and Hiromitsu Ogawa comp. Comprehensive Illustrated
regular script and dedicated to Yuanfu, with a figural seal, the third Catalogue of Chinese Paintings, Third Series, Volume 1: American and
inscription in clerical script dated Guangxu jiawu and signed Weng Canadian Collections, University of Tokyo Press, 2013, A50-37, p. 195
Shouqi with two seals, with additional inscriptions on the satin by 戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大
Jiang Biao (1860-1899) in seal script, signed Yuanhe Jiang Biao 學出版會,東京,2013年,A50-37,頁195
with one calligrapher’s seal, a colophon in regular script by Wang
Tongyu dedicated to Yuanfu with a calligrapher’s seal, and a Little, Stephen, and J. May Lee Barrett. New Songs on Ancient Tunes:
colophon in regular script signed Sun Tinghan (1861-1919) with 19th-20th Century Chinese Paintings and Calligraphy from the Richard
a calligrapher’s seal. Fabian Collection, Honolulu: Honolulu Academy of Arts,
15 1/2 x 74in (39.2 x 188cm) 2007, pp. 182-183
Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲神父珍藏十九
$2,500 - 4,000 及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,
2007年,頁182-183
翁綬琪、王同愈 松下高仕圖 設色綾本 手卷 一八九四年作
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