Page 36 - Nov. 27, 2019 Christie's Important Works of Art HK
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fig. 4 Children Playing in an Autumn Garden by Su Hanchen. (fl. mid-12th century)
Collection of the National Palace Museum, Taipei
எ୨ ⼖ᶴ⯀ Ƕ☌ᄥວᏈஎǷ இ⛁ᘢ༈ࢷ⁒㩴⻦
Form and Harmonious Decoration – Four Dynasties of Jingdezhen Porcelain, 3FDPOTUSVDUJOH $IFOHIVB QPSDFMBJOǷ㮰
London, 1992, p. 56, no. 47), while ten similar bowls are included among ࣿ ⤔⽚ 卻ٳᘹ厍 卼ǯഌ⣠ᇪ
th
the imperial treasures depicted on a long handscroll, dated to the 6
卻4JS 1FSDJWBM %BWJE卼Ⅷ⻦Ӭԋ✙
year of the Yongzheng reign (equivalent to 1728), entitled Guwan tu ऒ⅊ ഌཎ⎏Ꮀࢇ㬪ⱤວᏈ⎾卿எ⼖⅌⇷Ꮢⶬ
எ Pictures of Ancient Playthings, also in Sir Percival David’s collection. A Ƕᆨ★ⰰ㿃୨ջⅧǷ㮰 ⤔⽚ 卻ٳᘹ厍
Chenghua doucai cup with boys at play was also excavated from the late 卼厎᫉ം卿ഌ⣠ᇪ
བⅧ⻦Ӭზ㫇
Chenghua stratum at Jingdezhen and illustrated in A Legacy of Chenghua ᫈ݪჺ卻⡙ݩ݉ ჺ卼Ƕऒ⅊எǷᏛ
– Imperial Porcelain of the Chenghua Reign Excavated from Zhushan,
࣍卿Ꮢ▔༈ᅡᇙ⻦⇁⇶ᶕ⏖卿⋁ԋԮᝳࢦ
Jingdeezhen, op. cit., p. 268, no. C90. A pair of Chenghua doucai cups
㘆ַ⎾ǯᜀᇪ㤯Ꮀࢇᛮឆ≢ྉ߅கᙔ⁒
decorated with boys at play preserved in the Palace Museum, Beijing,
ԋᝳӬ։Ꮀࢇ㶯ᆭວᏈ⎷卿எ߿㘚ⶬה
from the Qing Court Collection, is illustrated in Porcelains in Polychrome
ǶᎰ⚨㚃ⅧǷ㮰 ⤔⽚ $ ǯ࢈ᘢ༈
and Contrasting Colours, The Complete Collection of Treasures of the
ࢷ⁒㩴᳖༈⯠⻦ԋԮᝳӬཌᎰࢇ㶯ᆭວᏈ
Palace Museum, vol. 38, Hong Kong, 1999, p. 194, no. 176.
எ⎷卿㖊ᙻǶᘢ༈ࢷ⁒㩴⻦ᙔ⁒Ⅷݥ㫀
th
However, it was in the 16 century that porcelains decorated with designs 厍ՆᆭǮ㶯ᆭǷ㮰 ⤔⽚ 卻㲞ᳰ厍
of boys at play – executed in rich cobalt blue reached their apogee, and 卼ǯ
the most impressive of these are the large jars dating to the Jiajing reign
ֿⲋ㋏ࣿ⊇ᄂ⻤㬪ᙠ⥾ㅳ⩧Ꮀ⎏ວᏈஎ≢
(1552-66), as exemplified by the current jar. These jars are sometimes
卿ං⢏սࢦݪӽ⡕ㅳἃӳ卿ݯԋࣽս
called ‘hundred boys jars’, and are especially skilfully painted in the finest
ទᐽ㘺㯸ૃ㬬卻ݩ݉ ჺ卼ഌ⧉
cobalt. Not only does the greater size of the vessels provide the ceramic
ཝἃज㈊ǯٛࣽलǸ⎋ຽஎ⧉ǹ卿അ⊇
decorator with the larger ‘canvas’ and greater freedom in the portrayal
ᥑ㬪ᙠ⥾ལ卿⊺႙Ὅᬘ⠢ᴗǯ㘺㯸⁒
of his subject, but the cobalt available at the imperial kilns in the Jiajing
㩶㖅ഌ卿ἃ⊺≢Ⴧᓽ؊Իᝤഌ⎏Ǹ⊺
reign produced an exceptionally vibrant blue and greatly enhanced the
decoration. The Jiajing reign was one during which the emperor was Ⴋǹࣿࠛה⚁㧿Ԡം卿ૃ㬬ᇙ⚨⎏㬪ᙠ१
a devout Daoist, who became involved with alchemical Daoism. As his ⰰՔᡟം㸓ᚺ卿⡠㱈ᘤ៧ഌἃᘛǯૃ㬬
reign progressed, he became obsessed with two things – immortality and ⎑Ⴝ❿ؼ㙣ᘰ卿ᮩ㘞Ὢԕـմǯ㪪␖ᛞ㧿
imperial sons. According to the Ming Shi ( ᚺट History of the Ming), in ⎏ᓠ☭卿ձ㘤᭯㧩⊂Ӷ⩞ক⊂ຽ⛁ܻԠᇵ
th
the 11 year of the Jiaijing reign (AD 1532) the emperor commanded that ⎽⎉῍ῂǯᗌǶᚺटǷ㉃㖊卿ૃ㬬ࢦӬჺ
a Daoist ritual be held in the Imperial Garden with the specific purpose 卻ݩ݉ ჺ卼卿⎑ӳஙᇙⱤஊݤ⯟リ㙣
of praying for the birth of imperial sons. It was to be expected that the ᘰܔᅴ卿□᭯⎏᫈ᛓ㐁ຽથǯӶ㫙ዏ۬卿
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