Page 6 - Nov. 27, 2019 Christie's Important Works of Art HK
P. 6
AN EXCEPTIONAL AND MASSIVE
LONGQUAN CELADON DISH
Rosemary Scott
Senior International Academic Consultant Asian Art
The provenance of this extremely large and exceedingly impressive ᒝᨍ
early Ming Longquan celadon dish or charger emphasises the
㹩ᦾ㤍㕲חⰈ♃⬻⩇བྷ૯↱
admiration for these remarkable celadon wares amongst Asian
th
collectors. In the 20 century this vessel has been in some of the most ⳹ἯῚ
prestigious Chinese collections – the E.T. Chow collection, the T.Y ̯ᨕⳔ⻒㒴㇔᪨४㢄ೀ⻒㧣ࠑ
Chao collection, and the T.T. Tsui collection. This large dish dates to
th
the second half of the 14 century, during the reign of the Hongwu
emperor (1368-98), when this bracket lobed form was at its height of ᫉ᚺߝ䂆ᯛ㬪㞏ഌ⏎㙁ᘹ┣卿⏟Ӭ
popularity, and it is possible, even probable, that the dish was made for ᱁卿ᇖჺݯ⣌Ꮫ⻦།Ԡ㩵༏卿؝जࣇ
the court.
㌴Ռᰲᘘ⻦⊤ཌ㘺ᏼצ൘㬪≢⎏ዴጝԠካǯ
⥍㈊Հࢦӽ⡕卿᫉⏎ᝪ⡢ݣ㑤ᇖルǮըὙԠ
Longquan celadons have long been admired for the beauty of their
glazes, which combine a range of subtle green colours with delicate কᇍཿల✙ᘘ⻦ഌ།लӴǯ῟㙁ᙻࢦ୨ӽ
translucency and unctuous texture, as on the current dish. The name ⡕Ӵࢮᰪ᫋ჺ㧿卻ݩ݉ ⯍ ჺ卼卿
Longquan does not come from a specific kiln site, but from the name ⋁ᛞ᫈ٿⵘᅴ⎏ݥ⏇ᛞឆ卿ទᐽज⬒
of the market town of Longquan in southern Zhejiang province, to 卻≾⯍ᇈज⬒卼ྏᙻ༈ᅡᇙ≢ǯ
which the ceramics were brought for sale and distribution. The kilns
on this region inherited the legacy of the stonewares produced at the ⯇ऒս卿䂆ᯛ㬪≢ս㞏ᙠԠ⧻㍞ᶕӴ卿
Yue kilns in the same province, and indeed in the Northern Song
्ٛ⸆⼘⻢⎏㬪㞏᳅ᝳ⯎卿㐏ዷᵐᷪഔ
period the Longquan kilns produced wares very similar to Yue wares.
㘲卿ទᐽजἃ᫉→㕇㊯ᯧǯݯ༰卿䂆
However, in the Southern Song period, no doubt influenced by the
ᯛ≢Ԇ㬳ᇑलᙻ᠋ٖ⁞⎏⚨ऑ卿䂆ᯛगᛓ
refined tastes of members of the elite, who accompanied the new
ᑨ᱆ᮅࢶ㛑Ӭٖ㪃≢㫀ᘶǯ⋁≢⚨ᐂ㇑
Southern Song court when it settled at Hangzhou, the Longquan kilns
began to develop a refined, high-quality, soft green celadon glaze, that Ի⏥ݤ㑘⚩Ԡ㚃㰍卿୬᫉࢈䂆ᯛ⯝㑘⚨
was to prove hugely popular both in China and overseas. ㅳࢦߎᓞ㘆ǯֿᛞ⯍ࢶ卿⎑ㇼ㏟ݽࢶӴ
ڍឿ႔卿䂆ᯛ⚨㰆ईߪݯ㙐⯞㪿㑪Ԡᆴ
While the Longquan glaze was perfected during the Southern Song
㮮卿ࠛ῟ԻӬ♎᳖᠏ক⎏⠢ㅳ㬪㞏卿ஙᱡ
period, production expanded considerably in the succeeding Yuan
ݤംഌἃ㰍リǯ
dynasty, rising over time to such an extent that some 300 kilns were
active in the Longquan region. New shapes and styles of decoration
䂆ᯛ㞏ஙࢶႡ⯔ᙻ⧻卿ֿݯ⊄㞔ங݉ջ
were introduced, and pieces of impressive size began to be made at
խᑥ⦛ᗫࢫ卿Ԝ⩧ԜԠ卿᰻㔮ᙻ䂆ᯛࢥ⎏
the Longquan kilns. While some of the larger pieces, such as the large
݉ջ⚨ऑ⛋അ㙤⡙Ӳ⎋ٖǯ㩶Իᅸݣᙲ⎏
dishes, were probably initially inspired by the requirements of patrons
from Western Asia, these and other large forms came to be appreciated কㅛ㱈㰍ᡟ卿䂆ᯛ⚨ᝤ㧷ං῟㙁ᘹ
by patrons in both Western and East Asia. Fine Longquan celadons ┣⎏הǯ㫍ഌ։⁒卻ൈഌ⏎卼ᝬ⎏
4