Page 8 - Nov. 27, 2019 Christie's Important Works of Art HK
P. 8

of the Longquan Celadon Museum  䂆ᯛ㬪≢ࢷ⁒㱦 is illustrated    ᐽ৅⯺ᣥ㈍ߎᚺǯ۔ӽ݉≢ԋ卿ᝳⲋჸᆨ߰
         in Longquan Celadon of China  ԋஇ䂆ᯛ㬪≢ , Hangzhou, 1998,    ⏟ऱֿ㖅ཎ⎏㘆ַ׾卿ݯ⏎ᇵ⎐ᝳ⡠㱈ǯݯ
         pl. 120.  However, it is notable that the lobes on this Yuan dynasty   ԋӬ׾㇦ᙻ֗ក⎏㩛ᇪᬘ‰Ⅷ⻦卻ऑᇎ
         are not so well defined as those on the current dish.  Smaller Yuan
                                                                   ݩߎ卼卿ݯ⏎ᇵ᧘ࣇ⡠㱈卿எ㇦Ӳឦ㪏ᘨⶬ
         dynasty versions of this form with central decoration are amongst
                                                                   הǶ$IJOFTF 1PSDFMBJO $PMMFDUJPOT JO UIF /FBS
         the Longquan dishes in the Ardebil collection (D: 37.6) illustrated by
                                                                   &BTU ě 5PQLBQJ BOE "SEFCJMǷ࣍Ӳ⤔⽚ "
         T. Misugi, Chinese Porcelain Collections in the Near East – Topkapi and
                                                                   卻㲞ᳰ厍    卼厎औӬ׾㇦ᙻᙲ໫ᮩⰄ㏕⁒卻ऑ
         Ardebil, vol. 3, Hong Kong, 1981, no. A 232, which has a moulded
         central motif; and also in the cargo of the Sinan wreck illustrated in   ᇎ    ݩߎ卼卿எ㇦    ჺǶᙲ໫ᱡᄓᙔ⁒Ƿ
         the 1977 exhibition catalogue, - ᙲ໫ᱡᄓᙔ⁒ , Seoul, 1977, exhibit   ཿ㈇எ㢙ཿ৅    卻㲛‰厍    卼ǯ݉ថ⎏
         117 (D: 33.6 cm.).  Towards the end of the Yuan dynasty the large   䂆ᯛ⚨ࣿᜀᇪ㤯ഌ⏎Ԡԋ卿மսჹ༰⎏ᐙᯒ
         dishes made at both the Longquan and the Jingdezhen kilns were more   ⏎཰അ卿ӻὍ≓ᆨᆄ೅ǯ
         frequently made with simple flattened rims, without lobing.
                                                                   ᚺջᰪ᫋Ӭង卿ㅳ≢᥉ݻᄟ㴛㰮卿ⵘऑ଍⁒
         With the advent of the Hongwu reign of the Ming dynasty, the
                                                                   ஙݦഌ⚨⡑ែྒྷݻ㑌卿Ԇ⢙भԻ⯝Ɽऑཌ፽
         ceramic industry received new impetus and bracket-lobed rims
                                                                   ⎏≓ᆨᆄ೅卿߅✛⽔ᣥ㈍ߎᚺǯज஄ज㿽
         reappeared at both kilns, and with the added feature of well-defined
                                                                   ⎏ᛓ卿ᜀᇪ㤯ⵘⱤᅴഌ⏎⎏஄㑷ַὍ໸ᅴǯ
         lobing to the sides, that conformed to the shape of the mouth rims.
                                                                   ࢈՗ᘢ༈Ⅷ⻦ᙇ׾㬪ⱤⵘⱤᅴഌ⏎卿㛑֍ה
         It is interesting to note that at the Jingdezhen kilns there was no
                                                                   ৅⎏≓ᅴ㙁௛ᇖ⏎ऑǮ଍೅ԛ⯍஄㑷Ӭ᭔ং
         consistency in the form of the foot ring on these large bracket lobed
         dishes.  The Palace Museum, Beijing, has in its collection several blue   Ꮀ卿ᝳ⎏ۣᓚ⊇ჹ༰⎏஄㑷㉑㈷ǯལ᫉जࣻ
         and white bracket-lobed large dishes some of which have conforming   ᾅՀ׾㬪Ɽ⏎卿ݯऑᇎߎߣἃ      ࣿ
         lobing carried from the mouth rim and sides into the foot ring, and   ݩߎ卿எ㇦Ƕᘢ༈ࢷ⁒㩴⻦ᙔ⁒Ⅷ৅ݥ㫀
         some of which have simple circular foot rings.  Comparison in this     厍㬪Ɽ㞏ㅏ⡚卻ӳ卼Ƿ㮰    ⤔⽚    ࣿ㮰
         regard can be made between a 44.8 cm. diameter blue and white dish
                                                                      ⤔⽚   卻㲞ᳰ厍    卼ǯⵘᅴഌ⏎㘻჎
         and a 45.5. cm. diameter blue and white dish, illustrated in Blue and
                                                                   㜩஄㑷卿ទᐽ৅Ք὞卿໦㒛⠢ㅳ䂆ᯛ⏎⎏᧐
         White Porcelain with Underglaze Red (I), The Complete Collection of
                                                                   ᴽ଍Ӭ᧙卿஄㑷ᶕ㞏卿ംᄓ㑷ݤᘒӬಝ㱌⚨
         Treasures of the Palace Museum, 34, Hong Kong, 2000, p. 22, no.
                                                                   ῟⩧Ꮀ卿ಝ῟⽔Ὅ㞏ǯ
         20 and p. 23, no. 21, respectively.  The large bracket-lobed Longquan
         dishes usually have circular foot rings, as in the case of the current
                                                                   ֗ឆீై⎏Ꮴ᛿ࢽᬘ༈Ⅷ⻦Ӭ׾ᚺߝ㘆ַഌ
         dish, which, typical of the fine-quality Longquan dishes, has a fully
                                                                   ⏎卿଍ᇵ᫈ԋߴᐙ៨៧⡠卿⏎೅㱈ᐙ៨⡠卿
         glazed foot ring and has been fired on a cylindrical setter resting on an
         unglazed circle on the exterior base, inside the foot ring.  ऑᇎ      ݩߎ卿ᘘ㢙ᙻ⻸ྱԻӬࣿ㧩♚㛑ᦼ
                                                                   ‰भᖬ⎏Ƕӽ⊤㪃≢ݥ㫀Ƿ࣍ࢦ୨ԠǸᚺջǹ
         A large early Ming dish of this form, with carved decoration of fruiting   ⤔ ⽚    卻 ែ ՗厍    卼ǯ ׹⯇ऱӬᏼⅧ
         branches in the central medallion and plant sprays on the sides, from
                                                                   ⻦⎏བᝳӬ׾䂆ᯛⵘⱤᅴഌ⏎卻ऑᇎ    ݩ
         the collection of the Topkapi Saray Museum, Istanbul is illustrated
                                                                   ߎ卼卿㱈៏⒢எ卿ᘘ㢙ᙻ +  "ZFST ⯝ 3  ,SBIM
         by R. Fujioka and G. Hasebe in Ceramic Art of the World, vol. 14, Ming
                                                                   भⶬ⎏Ƕ$IJOFTF  $FSBNJDT  JO  UIF  5PQLBQJ
         Dynasty, Tokyo, 1976, no. 131 (D: 55.5 cm.).  Another large bracket-
                                                                   4BSBZ .VTFVN  *TUBOCVMǷ࣍Ӭ㮰     ⤔⽚
         lobed Longquan dish (D: 45 cm.) with a pine tree in a rocky landscape,
                                                                   卻ٳᘹ厍    卼ǯ᫉ം卿Ꮴ᛿ࢽᬘ༈བᝳᙇ
         from the same collection, is illustrated in colour by J. Ayers and R. Krahl
         in Chinese Ceramics in the Topkapi Saray Museum Istanbul, vol. 1, London,   ׾ࢦ୨ӽ⡕ថ⯍ࢦՆӽ⡕ߝ⎏ⵘⱤᅴ䂆ᯛഌ
         1986, p. 228, no. 239.  The Topkapi Saray collection includes several   ⏎卿எ㇦߿㘚ⶬה㮰         ࣿ    卿ֿ㩶
                                                               th
                                                       th
         other large bracket-lobed Longquan dishes from the late 14 -early 15    Ӭ⏎Ԡം卿㱛⩢ഌཎ⎐㙭㙪ᙻទᐽ৅ǯ
         century, (illustrated ibid., pp. 300-301 and 303) but, with one exception,
         all of these are significantly smaller than the current example.    ⡠㱈⏟ऱ⎏Ⴁ⒖ה৅ԋ卿ַԢۣᝳՀ⏎⎏଍


        6
   3   4   5   6   7   8   9   10   11   12   13