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3670

                    A GILT-BRONZE FIGURE OF MAITREYA
                    QING DYNASTY, 18TH CENTURY

                    the standing deity with the right arm raised and the left
                    lowered, both held in vitarkamudra holding long curving stems
                    of uptala lotuses up the shoulders, wearing an elaborate dhoti
                    tied at the waist and hemmed with incised lotus bands, draped
                    around the shoulders with a billowing scarf, the chest adorned
                    with beaded necklaces, the benevolent face flanked by long
                    pendulous ears, crowned by a five-leaf diadem before a high
                    chignon, all raised on a circular double lotus pedestal
                    17 cm, 6¾ in.

                    HK$ 100,000-150,000
                    US$ 12,800-19,200

                    清十八世紀 鎏金銅彌勒佛像

                    3671

                    A RARE MINIATURE GILT-BRONZE FIGURE
                    OF TARA
                    MING DYNASTY, YONGLE – XUANDE
                    PERIOD

                    delicately cast seated in lalitasana on a double-lotus base with
                    the right foot resting on an individual lotus issuing from the
                    base inscribed with a mantra in Lantsa script, depicted with the
                    right hand held in varadamudra and the left in vitarkamudra,
                    the bodhisattva rendered with a benevolent expression framed
                    by a five-tiered crown enclosing the high chignon and ornate
                    earrings, the figure portrayed clad with a scarf entwined with
                    lotus flanking the shoulders, further adorned with elaborate
                    jewellery including beaded necklaces, bracelets and armbands
                    4.4 cm, 1¾ in.

                    HK$ 60,000-80,000
                    US$ 7,700-10,300

                    Another rare gilt-bronze figure of identical size and
                    workmanship, but depicting Amitayus, is illustrated in Robert
                    Bigler, Art and Faith at the Crossroads, Zurich, 2013, cat. no.
                    36, where he expounds the theory that the presence of small
                    drilled holes between petals on the base, combined with the
                    light weight structure of the base, suggests that figures of this
                    type were originally attached to ritual headgear or helmets.

                    明永樂至宣德 鎏金銅隨身綠度母坐像

308  SOTHEBY’S 蘇富比
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