Page 108 - Christie's IMPORTANT CHINESE Ceramics and Works of Art may 28 2021 hk
P. 108

DRAGONS FROM THE EMPIRE - IMPERIAL CERAMICS FROM THE YIDETANG COLLECTION
         龍行皇天 - 藝德堂珍藏御製陶瓷
         2954

         A FINE AND RARE WUCAI ‘DRAGON’ CUP                清雍正   五彩雙龍戲珠紋盃   雙圈三行六字楷書款
         YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE   來源
         WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1723-1735)
                                                           香港蘇富比,1989 年 5 月 16 日,拍品 337 號
         The finely potted cup is painted in bright enamels and underglaze   香港佳士得,2004 年 11 月 1 日,拍品 1103 號
         blue with two sinuous four-clawed dragons in flight in pursuit of
         flaming pearls amidst clouds.                     此盃造型精緻,胎體細膩,釉彩柔和,迄今未見其他相同器形及紋飾的
         3¬ in. (9.3 cm.) diam., Japanese wood box         例子。根據器形、繪畫、款識風格等方面進行比較,應為雍正官窯早期
                                                           作品。上海博物館藏有一件康熙鬥彩雲龍紋盌,載於《上海博物館藏康
         PROVENANCE
         Sold at Sotheby’s Hong Kong, 16 May 1989, lot 337  熙瓷圖錄》,香港,1998 年,圖版 159 號(圖一),其深腹直口的造型
         Sold at Christie’s Hong Kong, 1 November 2004, lot 1103   與此盃相若,款識亦為三行款,筆法與本品上所見基本相同,應為同一
                                                           人所寫。兩件的繪畫風格皆為精細,但此盃的釉彩似更勝一籌,光澤度
         HK$1,000,000-1,500,000        US$130,000-190,000  極佳,而且加入了雍正時期新研發出的松石綠釉,使得整體畫面更為生
                                                           動、更顯層次感。
         No other Yongzheng cup of this design appears to be published. The
         present cup was probably made early in the Yongzheng period, as it
         compares closely to late Kangxi cups and bowls, such as a Kangxi-
         marked doucai bowl painted with dragon medallions in the Shanghai
         Museum, illustrated in Kangxi Porcelain Wares, Hong Kong, 1998, no.
         159 (fig. 1), which is also potted with deep rounded sides rising to
         a straight rim, and inscribed with a mark in three vertical columns,
         possibly by the same hand as the potter who inscribed the present cup
         given the similarity in the modulation of each stroke and the spacing
         between strokes. The manner in which the dragons and clouds are
         painted is also similar, although the use of turquoise enamel was not
         found on the Kangxi example.


































              (mark)                                        fig. 1  Collection of the Shanghai Museum
                                                                   圖一  上海博物館藏品


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