Page 156 - Christie's Hong Kong May 31, 2017 Important Chinese Ceramics and Art
P. 156

PROPERTY FROM THE DEXINSHUWU COLLECTION

3123

A RARE LARGE CIZHOU PAINTED ‘FLORAL’                                        金  磁州窯白地鐵繪草葉紋梅瓶

VASE, MEIPING                                                               來源
                                                                            德馨書屋珍藏
JIN DYNASTY (1115-1234)
                                                                            展覽
The elongated ovoid vase is elegantly modelled with an overturned           雲中居,《聚英雅集千禧年展》,台北,2000年,圖錄圖版
mouth rim. It is finely decorated on the exterior with floral scrolls       25號
growing from a feathery foliage meander. It is further decorated
with radiating S-shaped motifs on the sloping shoulder between              如此碩大修長的磁州窯梅瓶非常稀罕,同類例子寥寥可數,暫只知一件
bowstring bands, and repeated with three broad cylindrical bands            紋飾與尺寸幾乎相同的梅瓶,2016年6月2-3日於香港蘇富比拍賣,拍品
above the tapered foot.                                                     665號 (封面)。本瓶上的草葉紋線條流暢寫意,筆觸迅疾快勢,有學
16 æ in. (42.5 cm.) high                                                    者提出是河南禹縣窯瓷器的典型風格。另可與兩件磁州瓶子作比較,一
                                                                            件藏富岡美術館,著錄於1981年東京出版《世界陶磁全集》,卷13,圖
HK$400,000-600,000  US$52,000-78,000                                       版256號 (49.2公分);另一件見同上,圖版257號 (35.2公分)。

EXHIBITED

Chang Wei-Hwa & Company, Pottery Architectural Structures,
Taipei, 2000, and illustrated in the Catalogue, no. 25

Cizhou painted vases of this large size are remarkably rare, and only
one other example of this size and design appears to be known,
which was sold at Sotheby’s Hong Kong, 2-3 June 2016, lot 665. It
is interesting to note the technique in the use of fine feathery motif
denoting foliage on the present vase, which appears to be an effective
design for slender Cizhou vases. It is noted that vases decorated with
this design, rendered in quick, flicking brush strokes are characteristics
of wares made in the Yuxian kilns in Henan. Compare to two further
similar examples illustrated by Tsugio Mikami in Sekai Toji Zenshu,
Ceramic Art of the World, vol. 13, Shogakukan, 1981, p. 239, no. 256
(49.2 cm.) in the collection of the Tomioka Art Museum; and p. 239,
no. 257 (35.2 cm.).

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