Page 68 - Sotheby's London Important Chinese Art Nov. 2019
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           PROPERTY FROM AN ENGLISH PRIVATE COLLECTION  Alexander Pope in ‘An Early Ming Porcelain in Muslim
           A RARE MING-STYLE COPPER-RED              Style’ in Richard Ettinghausen (ed.), Aus der Welt der
           DECORATED MOONFLASK                       Islamischen Kunst: Festschrift fuer Ernst Kuehnel, pl. 4B,
           QIANLONG SEAL MARK AND PERIOD             discusses the Islamic origin of both the form and the
                                                     decoration.
           the flattened spherical body supported on a small   This particular flask is interesting as it was collected by
           domed foot and surmounted by a narrow waisted   Robert C. Bruce who owned two other moonflasks of
           neck with central collar and incurved rim, joined to the   similar size and decoration, one decorated in copper-red
           shoulders by two strap handles forming right-angles   and puce enamels, illustrated in Soame Jenyns, Later
           and terminating in moulded ruyi-heads above florette   Chinese Porcelain, London, 1951, pl. LXXXVI, fig. 1b, and
           bosses, the slightly domed sides each pencilled with   sold in our Hong Kong rooms, 28th November 1979, lot
           a large medallion of geometric panels, each enclosing   223, the second which was decorated in copper-red alone
           different florette and foliate motifs, centred on a lotus   and is very close to the present flask, sold in Sotheby’s
           spray in a central star-shaped panel, the edges with   London, 12th May 1953, lot 133 and now in the Gulbenkian
           bands of flower scroll extending from cloud and ruyi   Museum of Oriental Art and Archaeology, Durham.
           head borders around the foot and the base of the neck,
           with flower scrolls and florette-studded lappets around   A related flask was included in the Min Chiu Society
           the neck, the base inscribed with a six-character seal   exhibition An Anthology of Chinese Ceramics, Hong Kong
           mark in underglaze blue                   Museum of Art, Hong Kong, 1980, cat. no. 118; another is
           Height 17.5 cm, 6⅞ in.                    illustrated in John Ayers, Chinese Ceramics in The Baur
                                                     Collection, vol. 2, Geneva, 1999, pl. 201; and two further
           PROVENANCE                                examples were sold in our Hong Kong rooms, the first, 1st
           Collection of Robert C. Bruce (1898-1953).   November 1999, lot 370; the second from the collection of
           In the family by descent.                 Sir Quo-Wei Lee, 3rd October 2018, lot 113.
           Intricately painted in underglaze-red with a complex   £ 30,000-50,000
           geometric design, the form and decoration of this flask   HK$ 293,000-489,000   US$ 37,500-62,500
           closely follows an early Ming blue and white prototype
           inspired by Middle-Eastern designs, as found on blue and   清乾隆   釉裏紅蓮花錦紋如意耳抱月瓶
           white flask of this design dated to the Yongle period from   《大清乾隆年製》款
           the collection of Sir Percival David, now in the British
           Museum, London, and illustrated in Regina Krahl and
           Jessica Harrison-Hall, Chinese Ceramics: Highlights of   來源
           the Sir Percival David Collection, London, 2009, pl. 27.   Robert C. Bruce(1898-1953年)收藏,此後家族傳承












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           66      Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstances).
                   Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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