Page 109 - Sotheby's Important Chinese Art, Sept. 21-22, 2-21, NYC
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 A GRAY AND BROWN JADE MYTHICAL BEAST  A CELADON AND RUSSET JADE ARCHAISTIC
 SONG - MING DYNASTY  HANGING VASE AND COVER
 the recumbent beast with the head held high, finely carved   17TH CENTURY OR EARLIER
 with curled brows, round ears and a small horn, the knobby   of archaistic you form, the flattened pear-shaped body
 backbone and ribs well-defined, the legs tucked under with   raised on a slightly splayed foot, the neck flanked by a pair
 forepaws pressed together, the bifurcated tail curled onto its   of stylized ruyi handles interlinked with a long arched U-form
 back, the grayish-white stone well polished with streaks of   swing handle, carved around the body with a broad band of
 dark brown          vertical ribs between bands of scrolls, the domed cover with
 Width 2¼ in., 5.7 cm  a band of pendent lappets surmounted by a lotus bud-form
                     finial, the stone of a pale greenish-celadon tone with areas of
 PROVENANCE          russet and natural inclusions (2)
 Collection of Stephen Junkunc, III (d. 1978).  Height 8⅜ in., 21.2 cm
 Compare a related jade mythical beast with shorter neck
 illustrated in Roger Keverne ed., Jade, London, 1995, fig. 29.   PROVENANCE
 A figure of a dog with a similarly modeled body, attributed   Collection of Stephen Junkunc, III (d. 1978).
 to the Ming dynasty, is in the collection of the Palace   Continuing the Song tradition of translating the aesthetic of
 Museum, Beijing, and illustrated in The Complete Collection   large archaic ritual bronzes into relatively small jade vessels,
 of Treasures of the Palace Museum: Jadeware II, Hong Kong,   this you-form vase is carved with two familiar archaic
 1995, pl. 209. Another related figure of a dog with its head   designs: a simplified leiwen-inspired scroll and a broad
 turned to the right sold at Christie’s Hong Kong, 20th March   band of vertical ribs. For an archaic bronze you that is also
 1990, lot 883. See also a mythical beast with the head turned   designed with a wide band of ribbing between bands of birds,
 back sold at Christie’s New York, 2nd June 1989, lot 282; and   see an example attributed to the early Western Zhou period,
 one from the Junkunc Collection that sold in these rooms,   from the Avery Brundage Collection, now in the Asian Art
 22nd September 2020, lot 241.  Museum of San Francisco (obj. no. B60B769.a-.b), published
                     in Jessica Rawson, Western Zhou Ritual Bronzes from the
 53
 $ 15,000-20,000     Arthur M. Sackler Collections, vol. IIB, Washington D.C.,
                     1990, fig. 72.1.
 宋至明   玉瑞獸           It is rare to find jade vases fashioned with the vertical
                     ribs. For vessels of related form but carved with various
 來源:                 archaistic motifs, see two in the Palace Museum, Beijing,
 史蒂芬•瓊肯三世 (1978年逝) 收藏  one with a taotie design, included in The Complete Collection
                     of Treasures of the Palace Museum. Jadeware (III), Hong
                     Kong, 1995, pl. 152, and the other with stiff leaves below
                     a bird band, illustrated in Zhongguo yuqi quanji, vol. 6,
                     Shijiazhuang, pl. 247.
                     Vertical ribs are also found on jade censers from the Ming
                     dynasty. See a gui-form example attributed to the Ming
                     dynasty, in the Qing Court Collection and still in Beijing,
                     published in The Complete Collection of Treasures of the
                     Palace Museum. Jadeware (II), Hong Kong, 1995, pl. 182; and
 54                  another from the Robert Youngman Collection, sold in these
                     rooms, 19th March 2019, lot 227.
 A BEIGE JADE ‘LOTUS LEAF’ VASE
 17TH / 18TH CENTURY  $ 20,000-30,000
 naturalistically carved in the form of a furled upright lotus
 leaf with fluttering edges, encircled at the middle with   十七世紀或更早   青玉雕仿古提梁卣
 a ribbon tied in a bow, two chilong scaling its sides, all
 supported below by a tangle of curling stems forming the   來源:
 integral openwork base, burgeoning lotus blossoms and   史蒂芬•瓊肯三世(1978年逝)收藏
 smaller leaves issuing from the stems, the beige stone
 gradating to a russet tone near the base, wood stand (2)
 Height 9⅞ in., 25.2 cm
 PROVENANCE
 Collection of Stephen Junkunc, III (d. 1978).
 $ 10,000-15,000
 十七 / 十八世紀   玉雕荷葉形花插

 54  來源:
 史蒂芬•瓊肯三世 (1978年逝) 收藏


 104  SOTHEBY’S  COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10748  PROPERTY FROM THE JUNKUNC COLLECTON  105
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