Page 34 - Sotheby's Important Chinese Art, Sept. 21-22, 2-21, NYC
P. 34

Fig. 1 A rubbing of the decorative band on a triple steamer set excavated from the Fu Hao tomb © Cultural Relics Press, Beijing
                             圖一 婦好墓出土銅三聯甗紋飾拓片 © 文物出版社,北京
                                                                                                                                                         Fig. 3 An archaic bronze vessel (hu)    Fig. 4 An archaic bronze vessel (hu) © Freer
                             Fig. 2 A rubbing of the decorative band on an archaic bronze vessel excavated from the Fu Hao tomb © Cultural Relics Press, Beijing
                                                                                                                                                         © The Palace Museum, Beijing            Gallery of Art, Smithsonian Institution,
                             圖二 婦好墓出土銅帶流鋬鼎形器紋飾拓片 © 文物出版社,北京                                                                                              圖三 青銅壺 © 故宮博物院,北京                       Washington, D.C.: Purchase — Charles Lang
                                                                                                                                                                                                 Freer Endowment, F1948.1
                                                                                                                                                                                                 圖四 青銅壺 © 佛利爾美術館,史密森學
                                                                                                                                                                                                 會,華盛頓:購買 - Charles Lang Freer
                                                                                                                                                                                                 Endowment, F1948.1


                        A similar hu in the Palace Museum, Beijing, reputedly   北京故宮博物院收藏一壺例,傳為安陽出土,載於                                           The present hu comes from the important German pre-War   本壺出自德國戰前著名工業家Hans Georg Oeder(1880-
                        excavated at Anyang, is illustrated in Gugong jingdian:   《故宮經典:故宮青銅器圖典》,北京,2010年,編                                      collection of the industrialist Hans Georg Oeder (1880-  1938  )收藏。Oeder去世後,其妻子將數件青銅器捐
                        Gugong qingtong qi tudian / Classics of the Forbidden   號43(圖三);另一例藏於舊金山亞洲藝術博物館,                                         1938) of Priemern, Altmark (now Saxony-Anhalt). After his   贈予了德國柏林皇家普魯士博物館,其中包括著名的
                        City. Bronzes of the Forbidden City, Beijing, 2010, no. 43                                                               death, his wife Pauline donated a number of bronzes to the
                        (fig. 3); another in the Asian Art Museum of San Francisco,   載於René-Yvon Lefebvre d’Argencé,《Bronze Vessels             East Asian Art Collection of the Royal Prussian Museums in   西周犧尊和吳王夫差鑒,二者均曾展於英國倫敦皇家
                        is published in René-Yvon Lefebvre d’Argencé, Bronze   of  Ancient  China  in  the  Avery  Brundage  Collection》,        Berlin, Germany, including the famous Western Zhou tapir   藝術學院《中國藝術國際展覽會》,1935至1936  年
                        Vessels of Ancient China in the Avery Brundage Collection,   舊金山,1977  年,圖版XIV(中);再比一例,現存                                vessel and a massive jian from the reign of King Fuchai of   (編號165及581)。二戰結束後,許多中國藝術品被
                        San Francisco, 1977, pl. XIV center; one in the Freer Gallery   於佛利爾美術館(現國立亞洲藝術博物館),華盛                                   Wu (r. 495-473 BC), both of which had been included in the   作為戰利品落入蘇聯手中,此兩件青銅重器亦在其
                        of Art, Washington, D.C., in John Alexander Pope et al., The   頓,見約翰•亞歷山大•波普等,《The Freer Chinese                         International Exhibition of Chinese Art, Royal Academy of   中,現在分別藏於莫斯科(或在普希金造型藝術博
                        Freer Chinese Bronzes, Washington, D.C., 1967, pl. 5 (fig. 4);                                                           Arts, London, 1935-6 (nos 165 and 581). At the end of the
                        and another, very similar to the Freer hu, was sold in our   Bronzes》,華盛頓,1967  年,圖版5(圖四);另有                             Second World War they were among the many pieces of   物館)和聖彼得堡的艾米塔吉博物館(Herbert  Butz,
                        London rooms, 10th June 1997, lot 112.    一例,與佛利爾藏壺非常相似,售於倫敦蘇富比1997                                                      Chinese art taken as war booty to the Soviet Union and are   〈Early Chinese Bronzes in the Collection of the Museum
                        A related hu in the Sackler Collection, somewhat simpler in   年 6 月 10 日,編號 112。                                         now in Moscow (probably in the Pushkin Museum) and in the   of  East  Asian  Art〉,《Orientations》,2000年10月,
                        its overall decoration but stylistically similar, is attributed by                                                       Hermitage, St. Petersburg, respectively (Herbert Butz, ‘Early   頁74,圖  2及  3)。除此外,另有許多青銅器仍舊由
                        Bagley also to the 13th century BC: with just two different   賽克勒收藏見一壺例,整體紋飾相對略簡,但風格相                                    Chinese Bronzes in the Collection of the Museum of East   Oeder家族傳承,其中多件重要藏品於1984年由蘇富
                        taotie bands, lacking any decoration on the neck, it shows   近,貝格利曾將其斷代為公元前十三世紀。該壺飾                                      Asian Art’, Orientations, October 2000, p. 74, figs 2 and 3). A   比拍出。Oeder之父Georg  Oeder  (1846-1931)為一位
                        only bowstring lines and a scroll band near the handles, and   兩層饕餮紋,頸飾弦紋,貝格利對於其輪廓的精細                                    substantial group of archaic bronzes, however, including this   德國風景畫畫家,收藏日本藝術品甚豐。在德國杜塞
                        a band of formal hooked motifs between the main registers,   描述亦可適用於本品:「整體輪廓由壺頸處一對獸                                      hu, had remained in the family and many important pieces
                        similarly repeated at the foot. Bagley’s carefully observed                                                              from the collection were sold at Sotheby’s in 1984. Oeder’s   爾多夫,一條通往萊茵河之街道更以「Oederallee」
                        description of its well-calibrated silhouette also fits the   首形貫耳和諧切分,下部則繼續延伸壺身曲線。」                                     father, Georg Oeder (1846-1931), was a German landscape   命名。
                        present vessel: “At the neck the silhouette is interrupted by   (羅伯特•貝格利,《Shang  Ritual  Bronzes  in  the                painter who assembled a vast collection of Japanese art. In
                        a pair of vertical lugs formed into animal heads and curved   Arthur  M.  Sackler  Collections》,華盛頓,1987                 Düsseldorf, Germany, a street leading to the Rhine River is
                        to repeat the profile of the vessel” (Robert W. Bagley,   年,編號58,頁341,並見於封底)。另一例與                                        named after him, ‘Oederallee’.
                        Shang Ritual Bronzes in the Arthur M. Sackler Collections,   前述賽克勒藏壺相類,藏東京出光美術館,錄
                        Washington, D.C., 1987, no. 58 and p. 341, the vessel also
                        illustrated on the back of the dust jacket). Another hu similar   《出光美術館:開館十五周年記念展圖錄》,東
                        to the Sackler piece, in the Idemitsu Museum of Arts, Tokyo,   京,1981年,圖版1063。
                        is illustrated in Idemitsu Bijutsukan: Kaikan jūgo shūnen
                        kinen ten zuroku / The Fifteenth Anniversary Catalogue,
                        Tokyo, 1981, pl. 1063.








                30      SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10748                                                                                       IMPORTANT ARCHAIC BRONZES FROM THE MACLEAN COLLECTION  31
   29   30   31   32   33   34   35   36   37   38   39