Page 169 - Fine Japanese Art March 27, 2020 Galerie Zacke Netsuke and Okimono
P. 169

ARTIST PROFILE: HOSHUNSAI MASAYUKI

                                                                                                                                                                                               186 |  HOSHUNSAI MASAYUKI: A VERY RARE
                                                                                                                                                                                                    AND SPECTACULAR STAG ANTLER
                                                                                                                                                                                                    OKIMONO OF BODHIDHARMA
                                                                                                                                                                                               By Hoshunsai Masayuki, signed Masayuki with kakihan
                                                                                                                                                                                               Japan, Asakusa, Tokyo, second half of 19th century


                                                                                                                                                                                               A superbly carved stag antler okimono depicting a windswept
                                                                                                                                                                                               Bodhidharma (Daruma).  Bodhidharma, depicted here in Chinese
                                                                                                                                                                                               style, is shown wearing a hat carved near the corona of the antler,
                                                                                                                                                                                               his bushy eyebrows and beard sensitively carved. His face is carved
                                                                                                                                                                                               with extremely fine detail, the eyes formed by two concentric rings,
                                                                                                                                                                                               typical for the artist. His expression resonates with wisdom. The
                                                                                                                                                                                               face builds quite a contrast towards the rest of the carving which
                                                                                                                                                                                               is covered in the typical porous and rough texture of the stag
                                                                                                                                                                                               antler, which is considerably difficult to carve around. Probably
                                                                                                                                                                                               Masayuki had already carved a couple of his very fine netsuke from
                                                                                                                                                                                               this branch of antler and had kept this section of ‘waste material’
                                                                                                                                                                                               to create this spectacular carving. Bodhidharma is completely
                                                                                                                                                                                               enveloped in his robe, which sways in the wind to his left, dictated
                                                                                                                                                                                               by the natural shape of the antler. His finely carved feet stand on a
                                                                                                                                                                                               separately carved and removable base. The underside of the base,
                                                                                                                                                                                               heavily porous, shows the signature MASAYUKI 正之 and kakihan.
                                                                                                                                                                                               HEIGHT (with base) 13.2 cm
                                                                                                                                                                                               Condition: Excellent condition with minor flaws to the material, note
                                                                                                                                                                                               the flaws to the back of the hat.
                                                                                                                                                                                               Provenance: Ancient collection Charles Cartier-Bresson (1853-1921)
                                                                                                                                                                                               collection no. 472. Charles Cartier-Bresson was a textile industrialist
                                                                                                                                                                                               and art collector specializing particularly in works from Japan. He is
                                                                                                                                                                                               the great uncle of famous photographer Henri Cartier-Bresson. Old
                                                                                                                                                                                               collection number to base.
                                                                                                                                                                                               Literature comparison: For another figure of Daruma by Masayuki
                                                                                                                                                                                               see Poole, John: Collecting Legends: Art and Ethnography. In:
                                                                                                                                                                                               Journal of the International Netsuke Collectors Society, Vol. 8, no. 2,
                                                                                                                                                                                               September 1980, p. 53, no.4 (left).
                                                                                                                                                                                               Estimate EUR 7.000,-
                                                                                                                                                                                               Starting price EUR 3.500,-



























                                                                                                                                                                                               Portrait of Charles Cartier-Bresson by Jean-Matthias Schiff
                                                                                                                                                                                               in the Museum of Fine Arts Nancy



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