Page 126 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
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most clearly visible in the flower petals.  Along the shoulder and upper rim, a decorative

                   band divides the vessel.  The banding of the shoulder utilizes the same lanceolate leaves


                   found on the porcelain altar vase used as a gift from Yuan Shikai, creating another

                   commonality within the examples of Hongxian this study investigated.  While banding is


                   often geometric in nature, the banding selected for the upper rim of this vessel is

                   comprised of curving vines.  The selection of a banded design that is non-traditional


                   attributes some originality to the Hongxian vessels, indicating that they were not entirely

                   recycled designs.  The designs were selected for their traditional connotations and


                   appropriated for a new, modern vision.

                          Repeated imagery indicates that certain motifs were more popular than others,


                   providing insight into the styles that Yuan specifically patronized.  The previous floral

                   examples provide evidence of the continuation of a design created by the empress

                   dowager.  Other motifs do not hold as obvious a connection, allowing for the conclusion


                   that aspects of Hongxian-era porcelain decoration were exclusively a result of the

                   aesthetics desired at the time.  An example that is explored further in the final chapter is


                   the inclusion of insects within floral scenes.  Several pairs of vases were found during the

                   course of this research that demonstrated nearly identical insects.  Another example, a


                   pair of Baluster vases with insect designs with Hongxian reign marks, presents another

                   version of this design (Figure 38). 155   In this version, a plain white ground forms the


                   background for a flowering sweet corn.  Standing on top of the plant are several crickets

                   and cicadas detailed in brown, yellow, and green enamels. 156   While the design itself



                   155  Avitabile, From the Dragon’s Treasure: Chinese Porcelain from the Nineteenth and Twentieth
                   Centuries in the Weishaupt Collection, 131.
                   156  The Weishaupt collection catalog identifies the cricket as a grasshopper.  However, this
                   research finds that the long antennae on the insect would identify it as a cricket rather than a
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