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tions.  Empress Wu Zetian entertained  a Japanese
          embassy there in  703;  the  largest  occasion  was a
          banquet  for 3,500 guests,  given by Emperor
          Daizong in  768.
             Examples of this type  of striding dragon, with
          a single horn, long snout, and curling tongue,  have
          been dated  as early as the  Northern  Wei dynasty
          (386-534 CE). One  such example is a bronze
          dragon  at the  Fogg Art Museum, Cambridge, Massa-
                2
          chusetts,  but its confident pose and the  technique
          of its casting, which it shares with the  dragon  seen
          here,  suggest  a more likely dating to the  Tang Dy-
          nasty. One  of a pair of gilt bronze dragons  excavated
          from  the  Yongle ward of the  capital, some 5 kilome-
          ters to the  south  of Darning Palace, illustrates these
          features to perfection: standing on its forelegs, its
          body  smoothly extends  skyward into  its hind  legs,
          counterbalanced  by the  sinuous tail, as if it were
          performing  a handstand. 3
             No particular justification  seems to be  needed
          for  the  portrayal of this most auspicious of mythical
          beasts at the  Tang court, but  in the  context of
          Daoist belief it has been noted that Emperor Xuan-
          zong (r. 712-756 CE), whose devotion  to  Daoism was
          such  that  his own portrait  can be found  alongside
          those of the Jade Emperor and other Daoist  images, 4
          introduced  a cult of  Five Dragons  in  714.  Splendid
          examples have been found decorating  the  backs of
          bronze  mirrors; six striding dragons  in pure  gold,
          each  a mere 4 centimeters  long  from  snout  to tail,
          were found in the  Hejiacun  hoard. RW

          1  Recovered in  1979 -1980; published: Wang 19893, 83;
            Xianggang  1993,  cat.  46.
          2  Sullivan 1984,  no.
          3  Kuhn 1993,137-138, cat. 53; Lee 1998, cat. 59.
          4  See Liu Yang, "Manifestation of the  Dao: A Study in Daoist
            Art  from the  Northern  Dynasties to the Tang (Fifth  to
            Ninth Centuries)," Ph.D. dissertation, School of Oriental
            and  African  Studies, University of London, 1997  (The text
            is currently in preparation  for publication by the Univer-
            sity of Hawaii Press.) Chapter  13, at pages 284-285,
            provides a table  of extant and  recorded  images of Emperor
            Xuanzong and other in Daoist halls.











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